When the tree flowered : $b An authentic tale of the old Sioux worldNeihardt, John G.
History
When the tree flowered : $b An authentic tale of the old Sioux world
Neihardt, John G.
Historical fiction; Oglala Indians -- Fiction
“I have been thinking of Last Dog, the big-mouthed one,” Eagle Voice
began. Having attended to the fire, I had waited over long, while the
old man sat with closed eyes and drooping head, blowing softly now and
then upon his thumb-polished eagle-bone whistle. “Also I have been
thinking of He Crow and his brothers--of Running Wolf, the youngest,
most of all.
“Running Wolf was sick that winter and people said that he would die.
There was mourning for his brothers in his old father’s tepee where he
lay. He was hot all over with a fire that burned inside, and he would
cry out to his brothers in the battle. He would cry out, ‘Wait for
me! I am coming! Look back, for I am coming!’ and try to get up. No
_wichasha wakon_ could help him. The bad spirit would not go away, and
people said that soon he would go to his brothers.
“But he did not die. When the young grasses were appearing [April],
he got up and walked again. His face was sharp, and he was thin and
feeble, like an old man who has come at last to where the cane is. Also
he was like a ghost that comes and goes and will not talk to anybody.
People said he was _witko_, and tried not to notice him.
“I think the moon when ponies shed [May] was young when he disappeared.
His father’s best horse was gone too, and people talked and talked.
Maybe he was going forth to find an enemy and die. Maybe it was like
dreaming, the way he was, and some _witkokaga_ [crazy-making spirit]
told him he could find his brothers. The moon grew big, and withered,
and was dead in the dark. Then Running Wolf came riding back. He was
coming over the ridge, and the sun was going down behind him. His horse
was walking slow, and he was singing. All around the village people
watched him from their tepees to see what he would do, for when a man
is _witko_ he is _wakon_ [mysterious, sacred], and whatever he will do
they let him do it. When he came to the opening in the village hoop, he
stopped his horse, and we could see that his face was blackened and
his hair was cut off. He sat upon his horse and sang a song that he had
made, and the people, looking from their tepees, listened. The song was
like this, but I cannot remember to sing it right.
“In a far country I have seen.
Their bones I have seen.
The wings of the air have feasted
And the wolves are fed.
On a lonely hill I have seen,
In the country of the stranger;
And my heart is cut into strings.
“Four times he sang it, sitting there on his horse; and while he sang,
he wept. Then he started his horse and began riding at a walk about
the hoop to the left, in the sacred manner. When he had ridden a
little way, he began singing again, and it was a death-song. He looked
straight ahead and sang, and the people watched him.
“When he came to Last Dog’s tepee, he stopped his horse and cried,
‘Last Dog, come out and look at me! You are a brave man, Last Dog! Come
out and make my heart glad!’
Public-domain text, read in full here on John Shaqi.
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