Girls -- United States -- Biography -- Juvenile literature
One success followed another, but although Cecilia Beaux received much
praise for her work, she was not content with what she had accomplished.
She felt that she needed still more training and that to have it she
must go to Paris.
Accordingly, Miss Beaux went to Europe and began to broaden her talent
by studying with several great French masters. One of them, Robert
Fleury, used to summon her before the class to praise her work publicly.
So modest was this American girl that she thought he could not be in
earnest. Her fellow-students, also, used to discuss her excellent work.
The many friends that she made in Paris begged her to stay in that
beautiful city and paint there, but she was too thoroughly American to
spend her life in a foreign land. So, after a few years, she returned to
her own country.
A great many of Miss Beaux’s best-known pictures are of women and
children, but she has painted men with great success, too. In fact, she
was chosen to paint portraits of Clemenceau, Admiral Beatty, and other
great war leaders. Her portraits of women and children are really little
pictures of everyday home life. She has caught the children as they have
paused in their play for a moment.
“Ernesta,” one of Miss Beaux’s well-known portraits, hangs in the
Metropolitan Museum of Art in New York City. Among her other important
paintings are “The Last Days of Infancy,” “The Dancing Lesson,” “Sita
and Sarita,” and “The New England Woman.”
Cecilia Beaux has won medals and prizes at many exhibitions of art.
People are glad to pay large sums of money for her pictures, and it is
considered an honor to be painted by her. She has steadily achieved
success because she has never scorned nor slighted small tasks. She has
done them conscientiously and well, making them a preparation for
greater things to come.
[Illustration]
Evangeline Booth—
The Girl Who Lived The Meaning of Her Name
Many a passerby on the crowded London street paused to glance at the
earnest, thoughtful face of a slender, golden-haired flower girl and to
buy a nosegay from her basket. When her stock was sold this girl, as
fair and fragile as one of her own flowers, picked her way through the
throng. She presently disappeared into one of the dirty alleyways, where
only the poorest of Londoners lived.
Children ran to meet her and rough men touched their caps as she passed.
The sick woman whose wretched room she entered fell asleep peacefully
after receiving a bowl of soup from her hands and a cheery word.
For weeks this sweet-faced young girl, who sold flowers or worked at
making matches, had been winning the hearts of the poor, discouraged
people of this district. She tended their babies and prayed with the
lonely old women. These people felt that they had found a friend who was
sorry for them and who was always ready to give them aid. They called
her the “White Angel.”
Public-domain text, read in full here on John Shaqi.
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