When Valmond Came to Pontiac: The Story of a Lost Napoleon. Volume 1.Parker, Gilbert
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When Valmond Came to Pontiac: The Story of a Lost Napoleon. Volume 1.
Parker, Gilbert
Canadian fiction
The square which the two roads and the four corners made was, on week-
days, the rendezvous of Pontiac, and the whole parish; on Sunday mornings
the rendezvous was shifted to the large church on the hill, beside which
was the house of the Cure, Monsieur Fabre. Travelling towards the south,
out of the silken haze of a mid-summer day, you would come in time to the
hills of Maine; north, to the city of Quebec and the river St. Lawrence;
east, to the ocean; and west, to the Great Lakes and the land of the
English. Over this bright province Britain raised her flag, but only
Medallion and a few others loved it for its own sake, or saluted it in
the English tongue.
In the drab velvety dust of these four corners, were gathered, one night
of July a generation ago, the children of the village and many of their
elders. All the events of that epoch were dated from the evening of this
particular day. Another day of note the parish cherished, but it was
merely a grave fulfilment of the first.
Upon the veranda-stoop of the Louis Quinze stood a man of apparently
about twenty-eight years of age. When you came to study him closely,
some sense of time and experience in his look told you that he might be
thirty-eight, though his few grey hairs seemed but to emphasise a certain
youthfulness in him. His eye was full, singularly clear, almost benign,
and yet at one moment it gave the impression of resolution, at another it
suggested the wayward abstraction of the dreamer. He was well-figured,
with a hand of peculiar whiteness, suggesting in its breadth more the man
of action than of meditation. But it was a contradiction; for, as you
saw it rise and fall, you were struck by its dramatic delicacy; as it
rested on the railing of the veranda, by its latent power. You faced
incongruity everywhere. His dress was bizarre, his face almost
classical, the brow clear and strong, the profile good to the mouth,
where there showed a combination of sensuousness and adventure. Yet in
the face there was an illusive sadness, strangely out of keeping with the
long linen coat, frilled shirt, flowered waistcoat, lavender trousers,
boots of enamelled leather, and straw hat with white linen streamers. It
was a whimsical picture.
At the moment that the Cure and Medallion the auctioneer came down the
street together towards the Louis Quinze, talking amiably, this singular
gentleman was throwing out hot pennies, with a large spoon, from a tray
in his hand, calling on the children to gather them, in French which was
not the French of Pontiac--or Quebec; and this refined accent the Cure
was quick to detect, as Monsieur Garon the avocat, standing on the
outskirts of the crowd, had done, some moments before. The stranger
seemed only conscious of his act of liberality and the children before
him. There was a naturalness in his enjoyment which was almost boylike;
a naive sort of exultation possessed him.
Public-domain text, read in full here on John Shaqi.
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