"No, beautifully groomed and clipped and Anglo-Saxon. I expect you'll like him. He plays bridge almost as well as he plays the piano. I suppose you wonder at any one who can play bridge well wanting to play the piano." "I'm not quite so intolerant as all that," said Yeovil; "anyhow I promise to like Ronnie. Is any one else coming to lunch?" "Joan Mardle will probably drop in, in fact I'm afraid she's a certainty. She invited herself in that way of hers that brooks of no refusal. On the other hand, as a mitigating circumstance, there will be a point d'asperge omelette such as few kitchens could turn out, so don't be late." Yeovil set out for his morning walk with the curious sensation of one who starts on a voyage of discovery in a land that is well known to him. He turned into the Park at Hyde Park corner and made his way along the familiar paths and alleys that bordered the Row. The familiarity vanished when he left the region of fenced-in lawns and rhododendron bushes and came to the open space that stretched away beyond the bandstand. The bandstand was still there, and a military band, in sky- blue Saxon uniform, was executing the first item in the forenoon programme of music. Around it, instead of the serried rows of green chairs that Yeovil remembered, was spread out an acre or so of small round tables, most of which had their quota of customers, engaged in a steady consumption of lager beer, coffee, lemonade and syrups. Further in the background, but well within earshot of the band, a gaily painted pagoda-restaurant sheltered a number of more commodious tables under its awnings, and gave a hint of convenient indoor accommodation for wet or windy weather. Movable screens of trellis-trained foliage and climbing roses formed little hedges by means of which any particular table could be shut off from its neighbours if semi-privacy were desired. One or two decorative advertisements of popularised brands of champagne and Rhine wines adorned the outside walls of the building, and under the central gable of its upper story was a flamboyant portrait of a stern-faced man, whose image and superscription might also be found on the newer coinage of the land. A mass of bunting hung in folds round the flag-pole on the gable, and blew out now and then on a favouring breeze, a long three-coloured strip, black, white, and scarlet, and over the whole scene the elm trees towered with an absurd sardonic air of nothing having changed around their roots. Yeovil stood for a minute or two, taking in every detail of the unfamiliar spectacle.