The guests settled themselves at four tables, taking their places where
chance or fancy led them, late comers having to fit in wherever they
could find room. A babel of tongues in various languages reigned round
the tables, amid which the rattle of knives and forks and plates and the
popping of corks made a subdued hubbub. Gorla Mustelford, the motive for
all this sound and movement, this chatter of guests and scurrying of
waiters, sat motionless in the fatigued self-conscious silence of a great
artist who has delivered a great message.
"Do sit at Lady Peach's table, like a dear boy," Cicely begged of Tony
Luton, who had come in late; "she and Gerald Drowly have got together, in
spite of all my efforts, and they are both so dull. Try and liven things
up a bit."
A loud barking sound, as of fur-seals calling across Arctic ice, came
from another table, where Mrs. Mentieth-Mendlesohnn (one of the
Mendlesohnns of Invergordon, as she was wont to describe herself) was
proclaiming the glories and subtleties of Gorla's achievement.
"It was a revelation," she shouted; "I sat there and saw a whole new
scheme of thought unfold itself before my eyes. One could not define it,
it was thought translated into action--the best art cannot be defined.
One just sat there and knew that one was seeing something one had never
seen before, and yet one felt that one had seen it, in one's brain, all
one's life. That was what was so wonderful--yes, please," she broke off
sharply as a fat quail in aspic was presented to her by a questioning
waiter.
The voice of Mr. Mauleverer Morle came across the table, like another
seal barking at a greater distance.
"Rostand," he observed with studied emphasis, "has been called le Prince
de l'adjectif Inopine; Miss Mustelford deserves to be described as the
Queen of Unexpected Movement."
"Oh, I say, do you hear that?" exclaimed Mrs. Mentieth-Mendlesohnn to as
wide an audience as she could achieve; "Rostand has been called--tell
them what you said, Mr. Morle," she broke off, suddenly mistrusting her
ability to handle a French sentence at the top of her voice.
Mr. Morle repeated his remark.
"Pass it on to the next table," commanded Mrs. Mentieth-Mendlesohnn.
"It's too good to be lost."
At the next table however, a grave impressive voice was dwelling at
length on a topic remote from the event of the evening. Lady Peach
considered that all social gatherings, of whatever nature, were intended
for the recital of minor domestic tragedies. She lost no time in
regaling the company around her with the detailed history of an
interrupted week-end in a Norfolk cottage.
Public-domain text, read in full here on John Shaqi.
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