Where England sets her feet: a romanceCapes, Bernard
History
Where England sets her feet: a romance
Capes, Bernard
Adventure stories; Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Historical fiction
‘Took feather-head--ay, as a man in love with Folly might pluck and
put a pasque-flower behind his ear. They’re long ridden off together.’
Brion heard in dismay. His superstitious tremors of the night had
owed, then, to woefuller presage than any imagined hauntings. To lose
his friend, thus, without warning, without a word! it was grievous.
Something swelled in his breast. How could Clerivault have left him
so? And yet he might have had no choice. Who was he to cross the will
of that dark masterful spirit who controlled his destinies? It must
have been his Uncle, the boy was now convinced, who had come into his
room in the night, and looked down upon him. The thought thrilled him,
half awfully, half glowingly. He pictured his own unconscious face,
and that other, white and austere, bent above it--and the silent entry
and the silent withdrawal. Why? Why had his Uncle arrived thus in the
night, and as obscurely vanished, leaving no trace of his visit but
that dreaming memory? And yet it was a memory he would not be without.
He stood staring at the old woman.
‘I am in the dark,’ he said.
Her eyes, like two round stones, were set fixedly on his.
‘Thou art not the first in this house to be,’ she said. ‘Secrets and
mysteries before thy time have encompassed those that dwelt herein.
Their shadows yet linger in the rooms and walk upon the stairs. Thou
art not the first to feel the darkness and unrest. There is always
coming and going here; ay, even when it is emptiest of mortal
life--always something to see, though thou seest it not. This is the
place where plots are laid in darkness and fulfilled in silence.’
To say that Brion, hearing her, was conscious of a passing chill is
not to underrate his healthy young sanity. He believed the old
creature crazy: yet there is an eeriness, after all, in crazy company.
What she said might have no significance, but somehow it assorted
drearily with the lonely and desolate house and with the strange
movements of its inmates. His physical shiver converted itself,
however, in shame of its own weakness, into a shrug of irritable
dissent.
‘I am not afeard of your plots and shadows, old mother,’ said he, with
petulant scorn. ‘It is enough shadow for me that my friend hath left
me, without a word.’
She nodded her head grimly, thinning her lips.
‘Brave spirit,’ she said. ‘It shall need all of itself, maybe, in the
days to come.’
He turned from her, with an impatient exclamation, and began to
descend the stairs. Half way down he met the boy William, mounting
hot-faced towards him. This was a buxom swain, on the near side of
manhood, rosy and bucolic. His face was round as a gooseberry; an
incipient corn-gold beard frizzled on the spit of his chin. He pulled
up, and twitched his forelock with a breathless grimace.
‘Was comin’, Mars Brion, to help ee to dress,’ he said, panting. ‘Mars
Phineas a bade me humbly to tender myself.’
Public-domain text, read in full here on John Shaqi.
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