Where the forest murmurs : $b Nature essaysSharp, William
History
Where the forest murmurs : $b Nature essays
Sharp, William
Natural history -- Outdoor books
Who is that Artificer who has subtly and diversely hidden the secret
of rhythm in the lichen of the rock and in the rock’s heart itself; in
the frost-flower, so perfect in beauty that a sunbeam breathes it away;
in the falling star, a snowflake in the abyss, yet with the miraculous
curve in flight which the wave has had, which the bent poplar has had,
which the rainbow has had, since the world began? The grey immemorial
stone and the vanishing meteor are one. Both are the offspring of the
Eternal Passion, and it may be that between the æon of the one and
the less than a minute of the other there shall not, in the divine
reckoning, be more than the throb of a pulse. For who of us can
measure even Time, that the gnat measures as well as we, or the eagle,
or the ancient yew, or the mountain whose granite brows are white with
ages--much less Eternity, wherein Time is but a vanishing pulse?
THE TIDES
I remember that one of the most strange and perturbing pleasures of
my childhood was in watching, from a grassy height, the stealthy
motions of the tides. The fascination never waned, nor has it yet
waned: to-day, as then, I know at times the old thrill, almost the
old fear, when through a white calm or up some sea-loch I watch those
dark involutions, in sudden twists and long serpentine curves, as
the eddies of the tide force their mysterious way. For one thing my
childish imagination was profoundly impressed by the words of an old
islander whom I had asked where the tides came from and what they were
and had they names. We were on the steep slope of a small grassy hill,
and overlooked the eastern end of an island where the troubled waters
of a _caoileas_ or strait to the south met the vast placid reach of
ocean on the north. Through the lustrous green of the Sound, fleckt
with long mauve shadows or clouded here and there with great splatches
of purple-brown; and, again, to the left through the near calm heave
of deep water so blue that as a child I could not understand why the
shells which were washed up from it were not blue also: to right and to
left I saw the sudden furtive motions of the flowing tide. I had often
watched the blind-worm move thus through the coarse sea-grasses, and
again and again had seen the adder dart through the bracken like one
of those terrible living arrows of Faerie of which I had heard: often,
too, I had followed the shadow-swift underwave glide of the hunting
seal: and once, in a deep brown pool in Morven, when I was looking with
trembling hope for the floating hair or dim white face of a kelpie, I
had seen an otter rise from the depths ... rise like a fantastic elfin
face and half-human figure in a dream ... make a soundless sinuous
plunge and in less than a moment vanish utterly, still without sound
or the least ruffling of the brown depths. So, it was natural that I
should associate those mysterious gliding things of the sea with these
Public-domain text, read in full here on John Shaqi.
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