Where the forest murmurs : $b Nature essaysSharp, William
History
Where the forest murmurs : $b Nature essays
Sharp, William
Natural history -- Outdoor books
It is when the trees are leafless, or when the last withered leaves
rustle in the wintry air, creeping along the bare boughs like
tremulous mice, or fluttering from the branches like the tired and
starving swallows left behind in the ebbing tides of migration, that
the secret of the forest is most likely to be surprised. Mystery is
always there. Silence and whispers, still glooms, sudden radiances,
the passage of wind and idle airs, all these inhabit the forest at
every season. But it is not in their amplitude that great woodlands
reveal their secret life. In the first vernal weeks the wave of green
creates a mist or shimmering veil of delicate beauty, through which
the missel-thrush calls, and the loud screech of the jay is heard like
a savage trumpet-cry. The woods then are full of a virginal beauty.
There is intoxication in the light air. The cold azure among the
beech-spaces or where the tall elms sway in the east wind, is, like
the sea, exquisitely desirable, exquisitely unfamiliar, inhuman, of
another world. Then follow the days when the violets creep through
the mosses at the base of great oaks, when the dust of snowbloom
on the blackthorn gives way to the trailing dog-rose, when myriads
of bees among the chestnut-blossoms fill the air with a continuous
drowsy unrest, when the cushat calls from the heart of the fir, when
beyond the green billowy roof of elm and hornbeam, of oak and beach,
of sycamore and lime and tardy ash, the mysterious bells of the South
fall through leagues of warm air, as the unseen cuckoo sails on the
long tides of the wind. Then, in truth, is there magic in the woods.
The forest is alive in its divine youth. Every bough is a vast plume
of joy: on every branch a sunray falls, or a thrush sways in song, or
the gauzy ephemeridæ dance in rising and falling aerial cones. The
wind moves with the feet of a fawn, with the wings of a dove, with the
passing breath of the white owl at dusk. There is not a spot where is
neither fragrance nor beauty nor life. From the tiniest arch of grass
and twig the shrewmouse will peep: above the shallowest rain-pool the
dragon-fly will hang in miraculous suspense, like one of the faery
javelins of Midir which in a moment could be withheld in mid-flight.
The squirrel swings from branch to branch: the leveret shakes the dew
from the shadowed grass: the rabbits flitter to and fro like brown
beams of life: the robin, the chaffinch, the ousel, call through the
warm green-glooms: on the bramble-spray and from the fern-garth the
yellow-hammer reiterates his gladsome single song: in the cloudless
blue fields of the sky the swifts weave a maze of shadow, the rooks
rise and fall in giddy ascents and descents like black galleys
surmounting measureless waves and sinking into incalculable gulfs.
Public-domain text, read in full here on John Shaqi.
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