France -- Civilization -- 1901-1945; France -- Description and travel
In the garage, Michel, all seriousness, polished the Ford that was to
carry away the bridal pair. Recently demobilized, he wore the bizarre
combination of military and civilian clothes that all over France
symbolized the transition from war to peace--black coat encroaching upon
stained blue trousers, khaki puttees, evidence of international intimacy
and--most brilliant emblem of freedom--a black and white checked cap,
put on backwards. His the ultimate responsibility at our wedding
ceremony and he looked to his tires and sparkplugs with passion.
The married sister, beautiful and charming in her Paris gown, was
superintending the _toilette_; and when all was ready, we were called
up to examine and admire. The bride was sweet and calm, smiling dreamily
at us in the foggy fragment of mirror. Below, somewhat portly and
constrained in his black coat and high collar, the bridegroom marched
with agitation back and forth in the corridor, clasping and unclasping
his hands in their gray suède gloves. The Paris train was due. Relatives
and friends began to arrive; and little nieces and nephews, all in their
best clothes. Noyon had not seen anything so gay in years. There was
bustle and business and running up and down stairs. The _poste_, usually
clamorous with the hoarse dialect of northern France, hummed and rippled
with polite conversation and courtly greetings. The bride appeared. The
bridegroom's face lost its perturbed expression in his unaffected
happiness at seeing her. Photographs were taken; she, gracious and
bending in a cloud of tulle; he, stiffly upright but smiling resolutely.
They were off in a string of carriages--sagging old carriages
resurrected from the dust--while a few of us hastened to the cathedral
by a short cut to take more pictures as they entered.
The vast nave engulfed us in its desolation. The mutilated apse seemed
to be far, far away, and one looked at it fearfully. High above through
the broken vaulting shone the indestructible blue, and through the
hollow windows the breath of Heaven wandered free. The little bride
stepped bravely between the piles of refuse, daintily gathering her
dress about her. A dirty sheet on the wall flapped without warning, and
we had a glimpse of a gaunt and pallid crucifix, instantly shrouded
again in a spasm of wind. Passing under an arch we entered a less
demolished chapel. Here all Noyon was waiting.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account