Great Britain -- Politics and government -- 20th century; Great Britain -- Social conditions; World War, 1914-1918
When those who opened their eyes on the second half of the eighties
were still young children, the first attack was made on the
outposts of Victorian "respectability": the "new woman" made her
appearance, defiantly smoking in public and--until threatened with
violence by an outraged and susceptible mob--bicycling about the
streets of London in "bloomers"; new ideas were spread, new rights
suggested and an alarming new freedom of discussion inaugurated
by the plays of Ibsen; a new wave of riches poured into England
from the Rand, their possessors resolute to enjoy them without
the restrictions of an outworn decorum. The epithet which has
become the historic description of these years is "roaring," and,
if it described something which by modern standards was mild and
blameless, the vigour of the word registers the public misgiving
and astonishment at the thing which it described. Nevertheless,
though this brawling exuberance gave an earnest of what would
come when the brawlers had discredited Victorianism, as yet
they misconducted themselves clandestinely or "under the eye of
perpetual disapprobation": the nod and frown of the court were
still potent; and the rulers of half-a-dozen great houses decided
effectively and subject only to the veto of the queen who should be
received in the small and envied world known as "society."
In the realm of literature, where the writ of social rulers did
not run, a steady movement towards intellectual freedom, more
permanent in its results and less open to criticism in its course,
made itself felt; and few more illuminating contrasts between the
mental range of late Victorianism and that of the present day
can be presented than by a study of the once forbidden problems
which may now be discussed in novels, on the stage and in the
press. The free lover and the unmarried mother have escaped from
the tribunal of the moralist into the consulting-room of the
pathologist and the workshop of the artist; diseases never before
mentioned have supplied the dramatist with a motive; vices still
unmentionable furnish a hinted explanation to the psychologist. And
between men and women of almost any age there is an unembarrassed
interchange of opinion, not always free from the gratification of
morbid curiosity, which exceeds the limits even of what may be
debated in print. The belief in safety through innocence has been
replaced by a belief in safety through knowledge; the war went far
towards completing the work begun by the early prophets of women's
rights; while the change in outlook must be recorded, there has
not yet been time to judge it in its effects on the well-being
of the nation or on the spiritual quality of the individual. The
revolutionaries of this, as of all other epochs, are too much
concerned in pursuing liberty as an end to regard it as a means.
Public-domain text, read in full here on John Shaqi.
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