Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
When Jimmie returned to his two distinguished companions he was blown
out with a singular pomposity. He spoke these noble words: "Oh, well,
I guess I don't want to take the gun out to-day."
They had been watching him with gleaming ferret eyes, and they
detected his falsity at once. They challenged him with shouted gibes,
but it was not in the rules for the conduct of boys that one should
admit anything whatsoever, and so Jimmie, backed into an ethical
corner, lied as stupidly, as desperately, as hopelessly as ever lone
savage fights when surrounded at last in his jungle.
Such accusations were never known to come to any point, for the reason
that the number and kind of denials always equalled or exceeded the
number of accusations, and no boy was ever brought really to book for
these misdeeds.
In the end they went off together, Willie Dalzel with his gun being a
trifle in advance and discoursing upon his various works. They passed
along a maple-lined avenue, a highway common to boys bound for that
free land of hills and woods in which they lived in some part their
romance of the moment, whether it was of Indians, miners, smugglers,
soldiers, or outlaws. The paths were their paths, and much was known
to them of the secrets of the dark green hemlock thickets, the wastes
of sweet-fern and huckleberry, the cliffs of gaunt bluestone with the
sumach burning red at their feet. Each boy had, I am sure, a
conviction that some day the wilderness was to give forth to him a
marvellous secret. They felt that the hills and the forest knew much,
and they heard a voice of it in the silence. It was vague, thrilling,
fearful, and altogether fabulous. The grown folk seemed to regard
these wastes merely as so much distance between one place and another
place, or as a rabbit-cover, or as a district to be judged according
to the value of the timber; but to the boys it spoke some great
inspiring word, which they knew even as those who pace the shore know
the enigmatic speech of the surf. In the mean time they lived there,
in season, lives of ringing adventure--by dint of imagination.
The boys left the avenue, skirted hastily through some private
grounds, climbed a fence, and entered the thickets. It happened that
at school the previous day Willie Dalzel had been forced to read and
acquire in some part a solemn description of a lynx. The meagre
information thrust upon him had caused him grimaces of suffering, but
now he said, suddenly, "I'm goin' to shoot a lynx."
The other boys admired this statement, but they were silent for a
time. Finally Jimmie said, meekly, "What's a lynx?" He had endured his
ignorance as long as he was able.
The Dalzel boy mocked him. "Why, don't you know what a lynx is? A
lynx? Why, a lynx is a animal somethin' like a cat, an' it's got great
big green eyes, and it sits on the limb of a tree an' jus' glares at
you. It's a pretty bad animal, I tell you. Why, when I--"
"Huh!" said the third boy. "Where'd you ever see a lynx?"
Public-domain text, read in full here on John Shaqi.
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