Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
But this small Rose Goldege happened to be of a family which numbered
few males. It was, in fact, one of those curious middle-class families
that hold much of their ground, retain most of their position, after
all their visible means of support have been dropped in the grave. It
contained now only a collection of women who existed submissively,
defiantly, securely, mysteriously, in a pretentious and often
exasperating virtue. It was often too triumphantly clear that they
were free of bad habits. However, bad habits is a term here used in a
commoner meaning, because it is certainly true that the principal and
indeed solitary joy which entered their lonely lives was the joy of
talking wickedly and busily about their neighbors. It was all done
without dream of its being of the vulgarity of the alleys. Indeed it
was simply a constitutional but not incredible chastity and honesty
expressing itself in its ordinary superior way of the whirling circles
of life, and the vehemence of the criticism was not lessened by a
further infusion of an acid of worldly defeat, worldly suffering, and
worldly hopelessness.
Out of this family circle had sprung the typical little girl who
discovered Jimmie Trescott agonizingly writing a letter to his
sweetheart. Of course all the children were the most abandoned
gossips, but she was peculiarly adapted to the purpose of making
Jimmie miserable over this particular point. It was her life to sit of
evenings about the stove and hearken to her mother and a lot of
spinsters talk of many things. During these evenings she was never
licensed to utter an opinion either one way or the other way. She was
then simply a very little girl sitting open-eyed in the gloom, and
listening to many things which she often interpreted wrongly. They on
their part kept up a kind of a smug-faced pretence of concealing from
her information in detail of the widespread crime, which pretence may
have been more elaborately dangerous than no pretence at all. Thus all
her home-teaching fitted her to recognize at once in Jimmie Trescott's
manner that he was concealing something that would properly interest
the world. She set up a scream. "Oh! Oh! Oh! Jimmie Trescott's writing
to his girl! Oh! Oh!"
Jimmie cast a miserable glance upon her--a glance in which hatred
mingled with despair. Through the open window he could hear the
boisterous cries of his friends--his hoodlum friends--who would no
more understand the utter poetry of his position than they would
understand an ancient tribal sign-language. His face was set in a
truer expression of horror than any of the romances describe upon the
features of a man flung into a moat, a man shot in the breast with an
arrow, a man cleft in the neck with a battle-axe. He was suppedaneous
of the fullest power of childish pain. His one course was to rush upon
her and attempt, by an impossible means of strangulation, to keep her
important news from the public.
Public-domain text, read in full here on John Shaqi.
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