Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The spanking was lamentably the work of a perfect bungler. It couldn't
have hurt at all; but the angel child raised to heaven a loud, clear
soprano howl that expressed the last word in even mediæval anguish.
Soon the painter was aghast. "Stop it, darling! I didn't mean--I
didn't mean to--to hurt you so much, you know." He danced nervously.
Trescott sat on a box, and devilishly smiled.
But the pasture call of suffering motherhood came down to them, and a
moment later a splendid apparition appeared on the cellar stairs. She
understood the scene at a glance. "Willis! What have you been doing?"
Trescott sat on his box, the painter guiltily moved from foot to foot,
and the angel child advanced to her mother with arms outstretched,
making a piteous wail of amazed and pained pride that would have moved
Peter the Great. Regardless of her frock, the panting mother knelt on
the stone floor and took her child to her bosom, and looked, then,
bitterly, scornfully, at the cowering father and husband.
The painter, for his part, at once looked reproachfully at Trescott,
as if to say: "There! You see?"
Trescott arose and extended his hands in a quiet but magnificent
gesture of despair and weariness. He seemed about to say something
classic, and, quite instinctively, they waited. The stillness was
deep, and the wait was longer than a moment. "Well," he said, "we
can't live in the cellar. Let's go up-stairs."
X
THE TRIAL, EXECUTION, AND BURIAL OF HOMER PHELPS
From time to time an enwearied pine bough let fall to the earth its
load of melting snow, and the branch swung back glistening in the
faint wintry sunlight. Down the gulch a brook clattered amid its ice
with the sound of a perpetual breaking of glass. All the forest looked
drenched and forlorn.
The sky-line was a ragged enclosure of gray cliffs and hemlocks and
pines. If one had been miraculously set down in this gulch one could
have imagined easily that the nearest human habitation was hundreds of
miles away, if it were not for an old half-discernible wood-road that
led towards the brook.
"Halt! Who's there?"
This low and gruff cry suddenly dispelled the stillness which lay upon
the lonely gulch, but the hush which followed it seemed even more
profound. The hush endured for some seconds, and then the voice of the
challenger was again raised, this time with a distinctly querulous
note in it.
"Halt! Who's there? Why don't you answer when I holler? Don't you know
you're likely to get shot?"
A second voice answered, "Oh, you knew who I was easy enough."
"That don't make no diff'rence." One of the Margate twins stepped from
a thicket and confronted Homer Phelps on the old wood-road. The
majestic scowl of official wrath was upon the brow of Reeves Margate,
a long stick was held in the hollow of his arm as one would hold a
rifle, and he strode grimly to the other boy. "That don't make no
diff'rence. You've got to answer when I holler, anyhow. Willie says
so."
Public-domain text, read in full here on John Shaqi.
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