Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
When he appeared to them looking very soldierly with his cropped
little head, there was a tumult over the chair. The Margate twins
howled; Jimmie Trescott was kicking them on the shins. It was a fight.
But the twins could not prevail, being the smallest of all the
children. The queen herself took the chair, and ordered Neeltje as if
he were a lady's-maid. To the floor there fell proud ringlets, blazing
even there in their humiliation with a full fine bronze light. Then
Jimmie Trescott, then Ella Earl (two long ash-colored plaits), then a
Phelps girl, then another Phelps girl; and so on from head to head.
The ceremony received unexpected check when the turn came to Dan Earl.
This lad, usually docile to any rein, had suddenly grown mulishly
obstinate. No, he would not, he would not. He himself did not seem to
know why he refused to have his hair cut, but, despite the shrill
derision of the company, he remained obdurate. Anyhow, the twins, long
held in check, and now feverishly eager, were already struggling for
the chair.
[Illustration: "THE QUEEN HERSELF TOOK THE CHAIR"]
And so to the floor at last came the golden Margate curls, the heart
treasure and glory of a mother, three aunts, and some feminine
cousins.
All having been finished, the children, highly elate, thronged out
into the street. They crowed and cackled with pride and joy, anon
turning to scorn the cowardly Dan Earl.
Ella Earl was an exception. She had been pensive for some time, and
now the shorn little maiden began vaguely to weep. In the door of his
shop William Neeltje stood watching them, upon his face a grin of
almost inhuman idiocy.
II
It now becomes the duty of the unfortunate writer to exhibit these
children to their fond parents. "Come on, Jimmie," cried little Cora,
"let's go show mamma." And they hurried off, these happy children, to
show mamma.
The Trescotts and their guests were assembled indolently awaiting the
luncheon-bell. Jimmie and the angel child burst in upon them. "Oh,
mamma," shrieked little Cora, "see how fine I am! I've had my hair
cut! Isn't it splendid? And Jimmie too!"
The wretched mother took one sight, emitted one yell, and fell into a
chair. Mrs. Trescott dropped a large lady's journal and made a
nerveless mechanical clutch at it. The painter gripped the arms of his
chair and leaned forward, staring until his eyes were like two little
clock faces. Dr. Trescott did not move or speak.
To the children the next moments were chaotic. There was a loudly
wailing mother, and a pale-faced, aghast mother; a stammering father,
and a grim and terrible father. The angel child did not understand
anything of it save the voice of calamity, and in a moment all her
little imperialism went to the winds. She ran sobbing to her mother.
"Oh, mamma! mamma! mamma!"
The desolate Jimmie heard out of this inexplicable situation a voice
which he knew well, a sort of colonel's voice, and he obeyed like any
good soldier. "Jimmie!"
Public-domain text, read in full here on John Shaqi.
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