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WHIPPERGINNY
WHIPPERGINNY
BY
ROBERT GRAVES
[Illustration: colophon]
NEW YORK
ALFRED A. KNOPF : MCMXXIII
TO
EDWARD MARSH
_Printed in Great Britain_
AUTHOR’S NOTE
The poems in this volume cover a period of three years, beginning at the
New Year of 1920, except for the rhymes “Henry and Mary,” “What did I
dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed
Post” and of “Unicorn and the White Doe,” which are bankrupt stock of
1918, the year in which I was writing _Country Sentiment_. _The Pier
Glass_, a volume which followed _Country Sentiment_, similarly contains
a few pieces continuing the mood of this year, the desire to escape from
a painful war neurosis into an Arcadia of amatory fancy, but the
prevailing mood of _The Pier Glass_ is aggressive and disciplinary,
under the stress of the same neurosis, rather than escapist.
_Whipperginny_ for a while continues so, but in most of the later pieces
will be found evidences of greater detachment in the poet and the
appearance of a new series of problems in religion, psychology and
philosophy, no less exacting than their predecessors, but, it may be
said, of less emotional intensity. The “Interlude” in the middle of the
book was written before the appearance of these less lyrical pieces, but
must be read as an apology for the book being now even less homogeneous
than before. To those who demand unceasing emotional stress in poetry at
whatever cost to the poet--I was one of these myself until recently--I
have no apology to offer; but only this proverb from the Chinese, that
_the petulant protests of all the lords and ladies of the Imperial
Court will weigh little with the whale when, recovering from his painful
excretory condition, he need no longer supply the Guild of Honourable
Perfumers with their accustomed weight of ambergris_.
ROBERT GRAVES.
_The World’s End,
Islip._
CONTENTS
PAGE
_Whipperginny_ 1
The Bedpost 2
A Lover since Childhood 4
Song of Contrariety 5
The Ridge-Top 6
Song in Winter 7
Public-domain text, read in full here on John Shaqi.
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