The spell cast upon these denizens of the interior fastnesses was
remarkable. They sat in petrified ecstasy, conspicuous among the
excitable Macutians, who wildly strove with tongue and hand to give
evidence of their delight. Only once did the sombre rapture of these
aboriginals find expression. During the rendition of “Faust,” Guzman
Blanco, extravagantly pleased by the “Jewel Song,” cast upon the stage
a purse of gold pieces. Other distinguished citizens followed his lead
to the extent of whatever loose coin they had convenient, while some of
the fair and fashionable señoras were moved, in imitation, to fling a
jewel or a ring or two at the feet of the Marguerite—who was, according
to the bills, Mlle. Nina Giraud. Then, from different parts of the
house rose sundry of the stolid hillmen and cast upon the stage little
brown and dun bags that fell with soft “thumps” and did not rebound. It
was, no doubt, pleasure at the tribute to her art that caused Mlle.
Giraud’s eyes to shine so brightly when she opened these little
deerskin bags in her dressing room and found them to contain pure gold
dust. If so, the pleasure was rightly hers, for her voice in song,
pure, strong and thrilling with the feeling of the emotional artist,
deserved the tribute that it earned.
But the triumph of the Alcazar Opera Company is not the theme—it but
leans upon and colours it. There happened in Macuto a tragic thing, an
unsolvable mystery, that sobered for a time the gaiety of the happy
season.
One evening between the short twilight and the time when she should
have whirled upon the stage in the red and black of the ardent Carmen,
Mlle. Nina Giraud disappeared from the sight and ken of 6,000 pairs of
eyes and as many minds in Macuto. There was the usual turmoil and
hurrying to seek her. Messengers flew to the little French-kept hotel
where she stayed; others of the company hastened here or there where
she might be lingering in some tienda or unduly prolonging her bath
upon the beach. All search was fruitless. Mademoiselle had vanished.
Half an hour passed and she did not appear. The dictator, unused to the
caprices of prime donne, became impatient. He sent an aide from his box
to say to the manager that if the curtain did not at once rise he would
immediately hale the entire company to the calabosa, though it would
desolate his heart, indeed, to be compelled to such an act. Birds in
Macuto could be made to sing.
The manager abandoned hope for the time of Mlle. Giraud. A member of
the chorus, who had dreamed hopelessly for years of the blessed
opportunity, quickly Carmenized herself and the opera went on.
Afterward, when the lost cantatrice appeared not, the aid of the
authorities was invoked. The President at once set the army, the police
and all citizens to the search. Not one clue to Mlle. Giraud’s
disappearance was found. The Alcazar left to fill engagements farther
down the coast.
Public-domain text, read in full here on John Shaqi.
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