Whirlpools: A Novel of Modern PolandSienkiewicz, Henryk
General
Whirlpools: A Novel of Modern Poland
Sienkiewicz, Henryk
Poland -- Fiction
Dolhanski, in fact, could not extract from the notary, anything but
testy replies. Immediately after his reception at the rectory the old
notary became very garrulous, but spoke with Ladislaus only about
Marynia, for whom he had an unbounded admiration. At present he feared
that Pani Krzycki might not consent to an evening musicale on the day
of the funeral of a relative, and that fear did not cease to disturb
him. Under this impression he began to demonstrate that music may as
well be associated with death as with life; that impressive music
always attends funerals, and that as mankind has not devised anything
better than music, not even for the worship of God, therefore it may be
taken for granted that music facilitates the flight of the soul to
heaven, and even salvation. Ladislaus bit his mustache and, without
qualification, concurred in this reasoning, knowing that the amiable
old gentleman was wont to berate his opponents unmercifully. With this
kind of talk, in which, to Dolhanski's great irritation, there was no
mention of the will, they passed their time on the way to Jastrzeb.
There they were served with tea. As the wind had subsided entirely
before the setting sun and the evening was delightful, the ladies, with
Gronski, were in the garden. When Ladislaus and his companions followed
them, they found Pani Krzycki and Pani Otocka on the bank of the pond,
while Miss Anney and Marynia were in a boat on the pond. A ruddy lustre
permeated the whole air; the scent of elders, which grew near the
water's edge, blended with the odor of the turf, duck-weed, and fish.
The water was dark green on the border from alders and willows which
hemmed it in, but in the centre, on the overflow, it was golden, with
reflections of purple and peacock feathers. The boat floated towards
the point, whose narrow girdle from the garden side served as a
landing-place. Marynia sat in the middle of the boat, but Miss Anney,
standing at the stern, manipulated it with a single oar, propelling and
at the same time steering with uncommon skill. On the background of
water and sky she loomed up from head to foot with strong and graceful
form, her rounded bosom moving in unison with the movements of the oar.
At moments she ceased to paddle and when the boat, gliding each moment
more slowly, at last stood still upon the smooth water, there could be
seen in the mirrored pellucidness another boat, another Marynia, and
another Miss Anney. In this picture there was great pastoral calm. The
lustre in the heavens grew ruddier as if the entire western world had
been embraced in a conflagration. High above the pond, under the
flaming cupola of heaven, strings of wild ducks appeared as if tied
together by black crosses.
The trees stood motionless and the silence was broken only by the
sounds of the windmill, coming from the direction of the dam.
Public-domain text, read in full here on John Shaqi.
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