Whirlpools: A Novel of Modern PolandSienkiewicz, Henryk
General
Whirlpools: A Novel of Modern Poland
Sienkiewicz, Henryk
Poland -- Fiction
The supper was finished. The company went to the salon in which
prevailed coolness and the slight scent of jasmine blown in from the
garden by the light evening breezes before the windows were closed. In
the glass doors appeared the big full moon, which but recently arose
slowly in the heaven, still ruddy after a bath in the evening twilight.
Pani Otocka sat at the piano; beside her the notary began to blow, as
if with anger, into the flute; while behind them stood Marynia with a
violin at her shoulder. Gronski with rapture gazed at her luxuriant
dark hair; her peaceful, arched eyebrows under a forehead plainly
immaculate; her small countenance; her slender, growing, childlike
form, and thought that this sight alone would suffice for music, or at
least that such a violinist might pass for its incarnation and symbol.
Ladislaus, although he had previously enlisted in the ranks of the
English faction, could not remove his eyes from her. After completing
his university education, he had accompanied his mother on a journey to
Italy. He visited various galleries and, though he lacked solid
artistic culture, nevertheless the thought crossed his mind that this
maiden with the bright and peaceful countenance, bending over the
violin, might have served the old masters as a model for Saint Cecilia
or for one of those angelic violin-players which he had seen in the
paintings of Fra Angelico.
The other listeners, like Pani Krzycki, her children, the instructress,
and Miss Anney, gazed at her as if at a miracle-working image. Only
one, Laskowicz, young Stas' tutor, did not share in the general
rapture. He was a medical student who, owing to the closing of the
university, was earning money by teaching for the further pursuit of
his studies, and he found himself, together with his inexorable hatred
for the "pampered" of this world, like Pilate in Credo, in this country
home. His convictions by this time were not a secret to anybody in
Jastrzeb; he was tolerated, however, with that improvident indulgence
of which the Polish nobility is only capable, upon the principle that
"the greatest radical must eat," and also in the hope that Stas was yet
too young to be infected with the "evil spirit" by his tutor.
To Laskowicz, when he looked at the gentle young lady, it seemed that
she was a flower which grew higher than the hands of a proletaire could
reach; therefore she was bred to the injury of the proletariat. This
was sufficient for him to look on both sides with reluctance and a
readiness to hate.
But, in the meanwhile, the moment for beginning the concert had
arrived. For some time Marynia had been drawing the bow over the
chords, turning the ringlets of the violin, and passing her fingers
over the notes, indicating something to her sister and the notary;
afterwards silence ensued, interrupted only by the indistinct talk of
the servants, assembled beyond the windows, who for the first time in
their lives were to hear the young lady play on the violin.
Public-domain text, read in full here on John Shaqi.
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