The room they entered a few moments later was strange in two particulars.
It was extremely tall. Johnny thought it must be fully twenty feet to the
ceiling. "Queer way to build a room," was his mental comment. Like other
rooms in the house, it was illuminated to the deepest corners; yet there
were no lamps anywhere. "Odd place, this," he thought. Yet Felix had
warned him. He had been given ample opportunity to say, "I don't like the
looks of it." Now he shrugged his shoulders and asked no questions; that
was Johnny's way.
"Light begins to fade in twenty minutes," was Felix's only comment as he
left the room.
"Light begins to fade," Johnny grinned when the door had been closed.
"Sure is a queer way to put it."
Twenty minutes later he began to realize that the strange boy had spoken
the exact truth. The light did begin to fade. At first the change was
almost imperceptible, a mere deepening of shadows in remote corners.
Then, little by little, the pictures that hung low on those tall walls
began to fade. The windows too, short, low windows, too short, Johnny
thought, for so tall a room, began letting in light about the shades, a
very little light, but light all the same.
Breaking the spell that had settled upon his drowsy senses, Johnny sprang
to his feet, threw off his clothes, dragged on his sleeping garments,
then crept beneath the covers of a most comfortable bed.
"Light is fading," he murmured. He recalled the lights on the stage of
the opera house. They had not blinked on and off. They faded like the
coming of darkness on the broad prairies. "Sort of nice, I think," he
murmured sleepily. "More natural. Like--like--"
Well, after all, what did it matter what it was like. He had fallen
asleep.
How long we have slept we are seldom able to tell. At times an hour seems
a whole night, at others four hours is but a dozen ticks of the clock.
Johnny slept. He awoke. And at once his senses were conscious of some
change going on in his room. He was seized with a foreboding of impending
catastrophe.
At first he was at a complete loss to know what this change was. There
was the room. The low windows still admitted streaks of light. The
chairs, his bed, the very low chest of drawers were in their accustomed
places.
"And yet--" He ran a hand across his eyes as if to clear his vision. And
then like a flash it came to him. That exceedingly tall room was not so
tall now--or was it?
"Impossible! How absurd!" He sat up, determined to waken himself from a
bad dream.
But the thing was no dream. The ceiling _was_ lower, fully five feet
lower. And--horror of horrors!--it was still moving downward, lower,
lower, still lower.
There was not the slightest sound, yet the boy seemed to feel the breath
of moving air on his face.
Too astonished and frightened to move, he sat there while that ceiling
marched down over the pattern of a quite futuristic wall-paper.
Public-domain text, read in full here on John Shaqi.
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