Presently Bennington Cole announced that he must be going on, as he had
an appointment with an out-of-town insurance agent who was leaving
Boston that evening, and soon afterward Miss Maitland took her
departure, escorted by Pelgram. Then Wilkinson went, having executed
as much havoc as he could among the comestibles, and Isabel was left
with her father. Mr. Hurd lit a cigar and looked thoughtfully at his
daughter.
"Splendid appetite that young feller has," he observed, nodding toward
the large tray which stood almost nude of food.
The girl moved a little uneasily in her chair.
"Now, father," she protested, "you shouldn't be so hard on Charlie.
He's really in a very embarrassing position. He's never had a chance
to show what he could do if he found something he liked and was suited
for. He's as clever and amusing as he can be, but he just naturally
isn't practical and no one has ever been able to make him so, and you
yourself are so absolutely practical in everything that you can't
excuse the lack of it in any one else. But he's really all right."
Mr. Hurd looked sharply up, and the lines around his eyes came a little
closer together.
"You don't mean that you're interested in him--seriously, do you?" he
said.
"Oh, no," replied his daughter. "Not at all--that way."
The traction magnate smiled indulgently, with manifest relief.
"I don't want to criticize your analysis of character, Isabel," he
said, "but I think you're dead wrong on one point. In my opinion Mr.
Charles Wilkinson is one of the most practical young men of my
acquaintance."
Meanwhile Miss Maitland and her companion had crossed the Common, and
when they came to Boylston Street the shop windows were all alit and
the street lamps began to shine. It was the close of a cool September
day, and a sharp wind whipped the skirt of Pelgram's frock coat around
his legs and flecked the blood into the girl's cheeks as she stepped
briskly westward, swinging along easily while her rather stout and soft
escort, patting the walk with his cane, kept up with some little
difficulty. As often as he dared, the artist glanced at her, and with
hope kindled by gratitude, he thought her never so attractive. And no
matter what might be said of the eccentricity of his artistic taste in
pursuit of the ideal, his selection of the real was indisputably sound;
Miss Maitland was well worth the admiration of any man.
As they came to Portland Street, waiting at the crossing for a
motor-car to pass, Pelgram quite suddenly said, "I wish I could paint
you here and just as you are looking now."
The girl flushed a little. The compliment was conventional enough, but
there was a tone in his voice that she had never heard before and that
carried its meaning clearly.
"Thank you. Is it because the atmosphere and background would be so
ugly--wind and iron and dead leaves and raw brick walls and hideous
advertising signs--and I should seem attractive by comparison?"
Public-domain text, read in full here on John Shaqi.
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