"Father once told me a story," Isabel had said, "of a man who went to a railroad president about a culvert he wanted to build under the railroad track, and the president told him that he should have built his culvert first and asked permission afterwards. And I invariably say now, if father protests against any of my performances, that he never should have told me that story. And he usually gives a kind of growl which I have always interpreted to mean that all is well." Isabel had a little money of her own, but she never used the income. Instead, she put it in the bank and lived on her allowance. She was not John M. Hurd's daughter for nothing. Her mother, a stiff, lean, gray woman with a tremendous capacity for being both busy and uncomfortable and making every one around her share the latter feeling, had little or nothing to do with Isabel or her friends. She was the typical Puritan, the salt of a somewhat dour earth, and how Isabel ever came into her household would be difficult to say. The mother had much undemonstrative affection for her daughter, but no understanding and less sympathy. She could never accustom herself to the girl's habit of facing every problem when it had to be faced but not before; she herself was used to spying trouble afar off, rushing forth with a sort of fanatical desperation, and falling upon its breast. John M. Hurd had selected her for her sterling and saving qualities, and he had always found her all he could have wished. From her daughter's viewpoint she left much to be desired, at least in the capacity of a confidante, and this prerogative had long since been assumed by Miss Maitland. That young lady, more reserved than Isabel, usually preferred to receive rather than to bestow confidences. Only in unusual cases, such as the one now under contemplation, was Helen moved to such downright speech. But in this instance she acknowledged the presence of an irritation alien to her customary serenity, and unconsciously she hit on conversation as a soothing influence. Thus it chanced that the talk was still on Pelgram when the doorbell rang and the butler announced that Mr. Wilkinson was calling. "I believe I could write a manual of artistic courtship," concluded Miss Maitland, "with a glossary embracing every shade of every color of an artist's mood. Charlie Wilkinson was absurd, of course, the other day, with his 'nuances,' but he was amazingly near the truth at the same time, for all that. Isabel, I'm sick and tired of nuances--I confess it freely." "Well," said her friend, soothingly, "here is Charlie now. He ought to be a fine antidote, for Heaven knows he hasn't a nuance in his entire anatomy." Mr. Wilkinson entered.