“Oh--I’m disturbing you.” She made a movement to push off. He smiled
in a noncommittal way, but said nothing. She did not conceal her
discontent with treatment of a kind to which she apparently was not
used. “You might at least have the politeness to say no. I’d not take
advantage of it,” said she--a rebuke for his rudeness in her raillery.
“I was debating something.... I need you in my picture. But posing is
tiresome work.”
She brightened. “I’d be glad to. Will you let me? I do so wish to be of
some use. How long would it take?”
“Not long--that is, not long any one morning,” was his apologetic
assurance.
“You mean--several mornings?” said she, a mingling of longing and
hesitation in her expressive features.
“I work slowly.” The more he considered the matter the more necessary
she seemed to his picture. His artist’s selfishness was aroused. “I’m
sure you’d not mind,” said he, deliberately using a tone that would
make refusal difficult, ungracious.
A curious strained expression came into her eyes as she reflected.
“I--I--don’t know what to say.”
“You think I’m asking heavy pay for my hospitality?”
“No--no, indeed,” protested she earnestly. “I can’t tell you what I was
thinking.”
The more he considered the idea the apparition of her in that graceful
posture in the canoe had suggested the more it seemed an inspiration.
He was regarding her now with the artist’s eye only. She leaned on
her paddle, lost in reverie; the look of the self-satisfied, over-petted
American girl faded from her face; the sunbeams flung a golden
glamour over her yellow hair and her delicate skin. He saw alluring
possibilities of idealizing her face into the center and climax of
the dreamy romance he was going to try to make of his first American
picture. His original impulse to get rid of her as a useless, perhaps
disquieting intruder had gone altogether. He was resolved to have this
providential model. “I don’t want to be disagreeable,” said he, “but I
really need you. It’d be a--a service to”--he smiled--“to art.”
She seemed not to hear. Presently she compressed her lips, looked
at him defiantly--a strange look that somehow disquieted him for an
instant. “Where do you want me to put myself?” she asked, stepping into
the canoe.
They spent half an hour in trying various positions and poses before
he got just what he wanted. His impersonal way of treating her, his
frank comments, some of them flattering, others the reverse, amused
her immensely. But he was as unconscious of her amusement as of her
personality or his own. She obeyed him without a protest, patiently
held the pose he asked--held it full fifteen minutes. He had a way--the
way of the man who knows what he is about--that inspired her with
respect and made her feel she was at something worth while. “That’ll
do beautifully,” he said at last. “You must be tired.”
“I can stand it a while longer,” she assured him.
Public-domain text, read in full here on John Shaqi.
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