There came a stage in his work when it did not especially matter
whether he had a model or not. He let her continue to come,
however--while he evolved how best to effect the separation. He felt
certain she was simply making use of him in whiling away leisure
hours that would otherwise bore her; still, courtesy demanded that,
in ridding himself of her, he show consideration for her. After all,
she had been most valuable to him, had helped him to make what he
hoped would be regarded as far and away the best picture he had ever
produced. “Never again!” he swore solemnly. “Never again will I work
with anyone I can’t pay off and discharge. Free labor is the most
expensive. Something for nothing takes the shirt off your back when you
come to pay.”
* * * * *
She was posing in her canoe, well out from the shore. He was laboring
at an effect of luminous shadow that would better bring out the poetry
he had been striving to put into the expression of her face. A slight
sound made him glance at the other shore of the lake--about two
hundred yards away, in that little bay. At a point where his model’s
back was full toward them, two young men were standing staring at her.
The expression of their faces, of their bodies, made them a living
tableau of the phrase, “rooted to the spot.” At first glance he was
angered by their impertinence; but directly came an intuition that
something out of the ordinary was about to happen. Swift upon the
intuition followed its realization. One of the young men--the shorter,
much the shorter--shouted in a voice of angry amazement:
“Beatrice!”
That shout acted upon Roger’s model like the shot from a gun it so
strongly suggested. She glanced over her shoulder, lost her balance.
Up went her arms wildly; with a shriek of dismay she rolled most
ungracefully into the water. Her flying heels gave the capsized canoe
a kick that sent it skimming and bobbing a dozen yards away. Roger
lost no time in amazement at the sudden and ridiculous transformation
of the serene tranquillity of the scene. The girl was head downward;
her agitated heels were more than merely ludicrous, they were a danger
signal. He flung down palette and brush, dashed into the shallow water,
strode rapidly toward where Rix was struggling to right herself. He
soon arrived, reached under, seized her by the shoulder and brought
her right side up. She splashed and spluttered and gasped, clinging
to him, he holding her in his arms. It would have been impossible to
recognize the lovely and charming model of two minutes before in this
bedraggled and streaming figure. Yet it was obvious that for Roger
there was even more charm than before. He was holding her tightly and
was displaying an agitated joy in her safety out of all proportion to
the danger she had been in.
“What a mess!” she exclaimed, as soon as she could articulate. “Where
are those two?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account