White nights, and other storiesDostoyevsky, Fyodor
General
White nights, and other stories
Dostoyevsky, Fyodor
Dostoyevsky, Fyodor, 1821-1881 -- Translations into English; Russian fiction -- Translations into English
yourself bread for your children and even that will be a joy. They will
love you for it afterwards; so you are laying by for your future. As the
children grow up you feel that you are an example, a support for them;
that even after you die your children will always keep your thoughts and
feelings, because they have received them from you, they will take on
your semblance and likeness. So you see this is a great duty. How can it
fail to draw the father and mother nearer? People say it's a trial to
have children. Who says that? It is heavenly happiness! Are you fond of
little children, Liza? I am awfully fond of them. You know--a little
rosy baby boy at your bosom, and what husband's heart is not touched,
seeing his wife nursing his child! A plump little rosy baby, sprawling
and snuggling, chubby little hands and feet, clean tiny little nails, so
tiny that it makes one laugh to look at them; eyes that look as if they
understand everything. And while it sucks it clutches at your bosom with
its little hand, plays. When its father comes up, the child tears itself
away from the bosom, flings itself back, looks at its father, laughs, as
though it were fearfully funny and falls to sucking again. Or it will
bite its mother's breast when its little teeth are coming, while it
looks sideways at her with its little eyes as though to say, 'Look, I am
biting!' Is not all that happiness when they are the three together,
husband, wife and child? One can forgive a great deal for the sake of
such moments. Yes, Liza, one must first learn to live oneself before one
blames others!"
"It's by pictures, pictures like that one must get at you," I thought to
myself, though I did speak with real feeling, and all at once I flushed
crimson. "What if she were suddenly to burst out laughing, what should I
do then?" That idea drove me to fury. Towards the end of my speech I
really was excited, and now my vanity was somehow wounded. The silence
continued. I almost nudged her.
"Why are you----" she began and stopped. But I understood: there was a
quiver of something different in her voice, not abrupt, harsh and
unyielding as before, but something soft and shamefaced, so shamefaced
that I suddenly felt ashamed and guilty.
"What?" I asked, with tender curiosity.
"Why, you...."
"What?"
"Why, you ... speak somehow like a book," she said, and again there was
a note of irony in her voice.
That remark sent a pang to my heart. It was not what I was expecting.
Public-domain text, read in full here on John Shaqi.
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