White nights, and other storiesDostoyevsky, Fyodor
General
White nights, and other stories
Dostoyevsky, Fyodor
Dostoyevsky, Fyodor, 1821-1881 -- Translations into English; Russian fiction -- Translations into English
"Listen, Nastenka. (It seems to me I shall never be tired of calling you
Nastenka.) Let me tell you that in these corners live strange
people--dreamers. The dreamer--if you want an exact definition--is not a
human being, but a creature of an intermediate sort. For the most part
he settles in some inaccessible corner, as though hiding from the light
of day; once he slips into his corner, he grows to it like a snail, or,
anyway, he is in that respect very much like that remarkable creature,
which is an animal and a house both at once, and is called a tortoise.
Why do you suppose he is so fond of his four walls, which are invariably
painted green, grimy, dismal and reeking unpardonably of tobacco smoke?
Why is it that when this absurd gentleman is visited by one of his few
acquaintances (and he ends by getting rid of all his friends), why does
this absurd person meet him with such embarrassment, changing
countenance and overcome with confusion, as though he had only just
committed some crime within his four walls; as though he had been
forging counterfeit notes, or as though he were writing verses to be
sent to a journal with an anonymous letter, in which he states that the
real poet is dead, and that his friend thinks it his sacred duty to
publish his things? Why, tell me, Nastenka, why is it conversation is
not easy between the two friends? Why is there no laughter? Why does no
lively word fly from the tongue of the perplexed newcomer, who at other
times may be very fond of laughter, lively words, conversation about the
fair sex, and other cheerful subjects? And why does this friend,
probably a new friend and on his first visit--for there will hardly be a
second, and the friend will never come again--why is the friend himself
so confused, so tongue-tied, in spite of his wit (if he has any), as he
looks at the downcast face of his host, who in his turn becomes utterly
helpless and at his wits' end after gigantic but fruitless efforts to
smooth things over and enliven the conversation, to show his knowledge
of polite society, to talk, too, of the fair sex, and by such humble
endeavour, to please the poor man, who like a fish out of water has
mistakenly come to visit him? Why does the gentleman, all at once
remembering some very necessary business which never existed, suddenly
seize his hat and hurriedly make off, snatching away his hand from the
warm grip of his host, who was trying his utmost to show his regret and
retrieve the lost position? Why does the friend chuckle as he goes out
of the door, and swear never to come and see this queer creature again,
though the queer creature is really a very good fellow, and at the same
time he cannot refuse his imagination the little diversion of comparing
the queer fellow's countenance during their conversation with the
expression of an unhappy kitten treacherously captured, roughly handled,
frightened and subjected to all sorts of indignities by children, till,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account