England -- Social life and customs -- 19th century -- Fiction; Young women -- Fiction
But she was full of quick sympathy, and ever ready to feel keen interest
in her surroundings. It is scarcely to be wondered at, therefore, that
on the night following the day we have been describing, she went up to
her own room greatly engrossed by all she had heard, anxiously eager to
prove herself a friend worthy of the name to the various members of the
Maryon family who had appealed to her for assistance or advice. It was
a beautiful night. Before Hertha got into bed she drew back the
curtains of one of the two windows--her room was a corner one--as was
her custom. For she loved the early morning light, and it never
disturbed her slumbers before her usual hour for waking.
A flood of moonlight lay on the terrace beneath. The night was
perfectly, peculiarly still, and not a leaf seemed to flutter. There
was something curiously dream-like about the whole scene--for the room
in which Hertha stood, and on which she threw a glance as she turned
again, was, like most of those in the old house, quaint and picturesque
in its very simplicity. White-panelled and wainscoted, with little
wreaths of carved flowers above the lintel of the door and over the two
old mirrors sunk in the walls; the bed in a sort of alcove; the ancient
fireplace, surmounted by a very high and narrow carved and moulded
mantel-piece, of the same dull, _matt_, white-painted wood, which was
the chief characteristic of the house, the whole effect was like nothing
that Miss Norreys remembered ever to have seen.
"It is very un-English, very un-nineteenth-century, very unlike all the
attempted reproductions of the past we have so many of," thought.
Hertha. "It is so exactly what it may have been, and probably was,
three or four hundred years ago. One can realise how the family life
has gone on unbrokenly, with all the changing actors in it, generation
after generation."
And again she glanced out. For the first time it struck her that this
window overlooked the lower terrace walk which Celia preferred to avoid.
With a sudden increase of interest, Hertha pushed up the sash, and
leaned out. Yes, that was the very place, the walk bare and open at the
end near the house, growing dim and shady as it was lost to view in the
shrubberies farther on.
"If it were worth the trouble," thought Hertha, "I should like to put on
a cloak and go right along to the end and back. I don't think I should
be afraid; the moonlight is so bright, and everything is so still. No
flopping branches or sighing wind to make one fanciful. Yes, I _think_
I should venture. And how proud I should be to tell them of it in the
morning."
But even as she gazed, a slight misgiving seized her. _Was_ the night
so perfectly still, or was the wind suddenly getting up? Something
_was_ moving at the far end of the walk--the "White Weeper's" walk.
What? The branch of a tree probably; there were aspens down there,
Hertha remembered, and a mere nothing would set _them_ quivering.
Public-domain text, read in full here on John Shaqi.
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