White Wings: A Yachting Romance, Volume IBlack, William
General
White Wings: A Yachting Romance, Volume I
Black, William
Yachting -- Fiction
"Down foresail!" calls out our John of Skye; and by and by her head
comes up to the wind, the great mainsail flapping in the breeze. And
again, "Down chub, boys!" and there is another rattle and roar amid the
silence of this solitary little bay. The herons croak their fright and
fly away on heavy wing; the curlews whistle shrilly; the sea-pyots whirr
along the lonely shores. And then our good Friedrich d’or sounds his
silver-toned bell.
The stillness of this summer evening on deck; the glory deepening over
the wide Atlantic; the delightful laughter of the Laird over those "good
ones" about Homesh; the sympathetic glance of Mary Avon’s soft black
eyes: did we not value them all the more that we knew we had something
far different to look forward to? Even as we idled away the beautiful
and lambent night, we had a vague consciousness that our enemy was
stealthily drawing near. In a day or two at the most we should find the
grim spectre of the East Wind in the rose-garden of Castle Osprey.
*CHAPTER V.*
*A BRAVE CAREER.*
Bur when we went on deck the next morning we forgot all about the
detestable person who was about to break in upon our peace (there was
small chance that our faithful Angus Sutherland might encounter the
snake in this summer paradise, and trample on him, and pitch him out;
for this easy way of getting rid of disagreeable folk is not permitted
in the Highlands nowadays) as we looked on the beautiful bay shining all
around us.
"Dear me!" said Denny-mains, "if Tom Galbraith could only see that now!
It is a great peety he has never been to this place. I’m thinking I must
write to him."
The Laird did not remember that we had an artist on board—one who, if
she was not so great an artist as Mr. Galbraith, had at least exhibited
one or two small landscapes in oil at the Royal Academy. But then the
Academicians, though they might dread the contrast between their own
work and that of Tom Galbraith, could have no fear of Mary Avon.
And even Mr. Galbraith himself might have been puzzled to find among his
pigments any equivalent for the rare and clear colours of this morning
scene as now we sailed away from Bunessan with a light topsail breeze.
How blue the day was—blue skies, blue seas, a faint transparent blue
along the cliffs of Burg and Gribun, a darker blue where the far
Ru-Treshanish ran out into the sea, a shadow of blue to mark where the
caves of Staffa retreated from the surface of the sun-brown rocks! And
here, nearer at hand, the warmer colours of the shore—the soft, velvety
olive-greens of the moss and breckan; the splashes of lilac where the
rocks were bare of herbage; the tender sunny reds where the granite
promontories ran out to the sea; the beautiful cream-whites of the sandy
bays!
Public-domain text, read in full here on John Shaqi.
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