Miss Susan Austin was, at the moment when this story begins, seated in the porch of the manor, on a blazing day of July, when every scrap of shade was grateful and pleasant, and when the deep coolness of the old-fashioned porch was a kind of paradise. It was a very fine old house, half brick, half timber; the eaves of the high gables carved into oaken lace-work; the lattice casements shining out of velvet clothing of ivy; and the great projecting window of the old hall, stepping out upon the velvet lawn, all glass from roof to ground, with only one richly-carved strip of panelling to frame it into the peaked roof. The door stood wide open, showing a long passage floored with red bricks, one wall of which was all casement, the other broken by carved and comely oaken doors, three or four centuries old. The porch was a little wider than the passage, and had a mullioned window in it, by the side of the great front opening, all clustered over with climbing roses. Looking out from the red-floored passage, the eye went past Miss Susan in the porch, to the sweet, luxuriant greenness of the lime-trees on the farther side of the lawn, which ended the prospect. The lawn was velvet green; the trees were silken soft, and laden with blossoms; the roses fluttered in at the open porch window, and crept about the door. Every beam in the long passage, every door, the continuous line of casement, the many turns by which this corridor led, meandering, with wealth of cool and airy space, toward the house, were all centuries old, bearing the stamp of distant generations upon the carved wood and endless windings; but without, everything was young and sunny,--grass and daisies and lime-blossoms, bees humming, birds twittering, the roses waving up and down in the soft wind. I wish the figure of Miss Susan had belonged to this part of the landscape; but, alas! historical accuracy forbids romancing. She was the virtual mistress of the house, in absence of a better; but she was not young, nor had she been so for many a long day.