She brightened up a little, however, and raised her head, when she heard the distant sound of a whistle coming far off through the melodious Summer air. It caught her attention, and she raised her head for a second, and a smile came over her face. “It must be Everard,” she said to herself, and listened, and made certain, as the air, a pretty gay French air, became more distinct. No one else would whistle that tune. It was one of Reine’s French songs--one of those graceful little melodies which are so easy to catch and so effective. Miss Susan was pleased that he should whistle one of Reine’s tunes. She had her plans and theories on this point, as may be hereafter shown; and Everard besides was a favorite of her own, independent of Reine. Her countenance relaxed, her knitting felt lighter in her hand, as the whistle came nearer, and then the sound of a firm, light step. Miss Susan let the smile dwell upon her face, not dismissing it, and knitted on, expecting calmly till he should make his appearance. He had come to make his report to her of another journey, from which he had just returned, in search of the lost Austins. It had not been at all to his own interest to pursue this search, for, failing Mr. Farrel-Austin, he himself would be the heir-at-law; but Everard, as Miss Susan had often said to herself, was not the sort of person to think of his own advantage. He was, if anything, too easy on that head--too careless of what happened to himself individually. He was an orphan with a small income--that “just enough” which is so fatal an inheritance for a young man--nominally at “the Bar,” actually nowhere in the race of life, but very ready to do anything for anybody, and specially for his old cousins, who had been good to him in his youth. He had a small house of his own on the river not far off, which the foolish young man lived in only a few weeks now and then, but which he refused to let, for no reason but because it had been his mother’s, and her memory (he thought) inhabited the place. Miss Susan was so provoked with this and other follies that she could have beaten Everard often, and then hugged him--a mingling of feelings not unusual. But as Everard is just about to appear in his own person, I need not describe him further. His whistle came along, advancing through the air, the pleasantest prelude to his appearance. Something gay and free and sweet was in the sound, the unconscious self-accompaniment of a light heart. He whistled as he went for want of thought--nay, not for want of thought, but because all the movements of his young soul were as yet harmonious, lightsome, full of hope and sweetness; his gay personality required expression; he was too light-hearted, too much at home in the world, and friendly, to come silent along the sunshiny way. So, as he could not talk to the trees and the air, like a poetical hero in a tragedy, Everard made known his good-will to everything, and delicious, passive happiness, by his