Whitman, Walt, 1819-1892 -- Criticism and interpretation
In many ways was Whitman, quite unconsciously to himself, the man Emerson
invoked and prayed for,--the absolutely self-reliant man; the man who
should find his own day and land sufficient; who had no desire to be
Greek, or Italian, or French, or English, but only himself; who should
not whine, or apologize, or go abroad; who should not duck, or deprecate,
or borrow; and who could see through the many disguises and debasements of
our times the lineaments of the same gods that so ravished the bards of
old.
The moment a man "acts for himself," says Emerson, "tossing the laws, the
books, idolatries, and customs out of the window, we pity him no more, but
thank and revere him."
Whitman took the philosopher at his word. "Greatness once and forever has
done with opinion," even the opinion of the good Emerson. "Heroism works
in contradiction to the voice of mankind, and in contradiction, for a
time, to the voice of the great and good." "Every heroic act measures
itself by its contempt of some external good,"--popularity, for instance.
"The characteristic of heroism is persistency." "When you have chosen your
part abide by it, and do not weakly try to reconcile yourself with the
world." "Adhere to your act, and congratulate yourself if you have done
something strange and extravagant, and broken the monotony of a decorous
age." Heroism "is the avowal of the unschooled man that he finds a quality
in him that is negligent of expense, of health, of life, of danger, of
hatred, of reproach, and knows that his will is higher and more excellent
than all actual and all possible antagonists." "A man is to carry himself
in the presence of all opposition as if everything were titular and
ephemeral but he." "Great works of art," he again says, "teach us to
abide by our spontaneous impression with good-natured inflexibility, the
more when the whole cry of voices is on the other side."
These brave sayings of Emerson were all illustrated and confirmed by
Whitman's course. The spectacle of this man sitting there by the window of
his little house in Camden, poor and partially paralyzed, and looking out
upon the trite and commonplace scenes and people, or looking athwart the
years and seeing only detraction and denial, yet always serene, cheerful,
charitable, his wisdom and tolerance ripening and mellowing with time, is
something to treasure and profit by. He was a man who needed no
assurances. He had the patience and the leisure of nature. He welcomed
your friendly and sympathetic word, or with equal composure he did without
it.
Public-domain text, read in full here on John Shaqi.
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