While in Boston he was talking one day to two ladies at the same hotel.
A young woman just out of boarding school coming to pay them a visit,
was introduced to the poet. But she was far from comprehending the
honor done her, and it was impossible then and there to enlighten her.
“Whittier!” she repeated patronizingly. At the school they had just
been reading “Snow Bound.” It was beautiful--“so fine!” And she gushed
inanely in its praise. Had he read it? she questioned.
The poet admitted that _he had looked it over_!
And he admired it, of course? Taking assent for granted, she next asked
Mr. Whittier _if he were any relative of the poet_? He answered her
that he had not studied out what relation.
“_And have you ever seen the Poet Whittier?_” she propounded promptly.
The poet thought that he _had_ met him.
For some time the young woman talked on, happy in the sound of her own
voice and patronizing still more both poem and poet--to say nothing of
the unknown who bore his name.
In speaking of her the poet remarked that he always pitied such young
women.
* * * * *
Among his many experiences of autograph hunters he enjoyed the
following:
He was on his way to the mountains. It was a delightful autumn day.
The sunshine, the brilliant colors of earth and sky, the nectar of the
clear and balmy air, all acted upon his sensitive nerves and brought
a keen pleasure which prepared him for the enjoyment of any amusing
phase of human nature that might present itself. The train drew up at
a junction. As the poet alighted with that alertness of movement which
to the last distinguished him and made his way toward his exchange, a
young woman forced a passage through the rushing crowd and came up to
him.
“Are you Mr. Whittier?” she inquired of him breathlessly.
The poet assented.
“Won’t you please write your name in my album?” And she held out her
book open at the desired page.
His dark eyes lighting with amusement passed swiftly from the puffing
train--his train on which in another moment the bell would ring and
from which the conductor was already shouting, “All aboard!”--to the
eager and entreating face of the speaker. He appreciated the situation;
he liked her pluck. But what was he to write with? Fountain pens were
then uninvented.
He flashed his glance about the station; then with the young woman in
tow, hurried to the telegraph office, seized a pen, dashed off his
autograph, walked swiftly to his train, and in another moment was being
whirled onward.
That must have been one of the occasions when his hand smote his knee
in keen appreciation of the episode.
* * * * *
Although Whittier never perpetrated matrimony, he was far from being
like the melancholy Jacques, and much enjoyed looking at happiness
through other men’s eyes--and through women’s too.
Public-domain text, read in full here on John Shaqi.
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