"That won't make any difference. I believe that in a sort of way he's
jealous of my having a good time. Queer, isn't it? Are all old people
like that? And as to Grandmother, this will give her one of the finest
chances to let herself go that she's had since I set a curtain on fire
with a candle; and when she does that, well, things fly, I assure you."
"Are you worried about it?"
Joan gave a gesture of the most eloquent impatience. "I have to be,"
she said. "You can't understand it, but I'm treated just as if I were a
little girl in short frocks. It's simply appalling. Everything I say
and do and look is criticized from the point of view of 1850. Can't you
imagine what will be thought of my sneaking out every afternoon to talk
to a dangerous young man who has only just left Yale and lives among
horses?"
That was too much for Martin. His laugh echoed among the trees.
But Joan didn't make it a duet. "It wouldn't be so funny to you if you
stood in my shoes, Martin," she said. "If I had gone to Grandmother and
asked her if I might meet you,--and just think of my having to do
that,--she would have been utterly scandalized. Now, having done this
perfectly dreadful thing without permission, I shall be hauled up on
two charges,--deceit and unbecoming behavior,--and I shall be punished."
The boy wheeled around in amazement. "You don't mean that?"
"Of course I mean it. Haven't I told you over and over again that these
two dear but irritating old people look down at me from their awful
pile of years and only see me as a child?"
"But what will they do to you?"
Joan shrugged her shoulders. "Anything they like. I'm completely at
their mercy. For Mother's sake I try to be patient and put up with it
all. It's the only home I've got, and when you're dependent and haven't
a cent to bless yourself with, you can't pack up and telephone for a
cab and get out, can you? But it can't go on forever. Some day I shall
answer back, and sparks will fly, and I shall borrow money from the
coachman, who's my only friend, and go to Alice Palgrave and ask her to
put me up until Mother comes back. I'm a queer case, Martin--that's the
truth of it. In a book the other day I came across an exact description
of myself. I could have laughed if it hadn't hit me so hard. It said:
'She was a super-modern in an early-Victorian frame, a pint of
champagne in a little old cut-glass bottle, a gnome engine attached to
a coach and pair.'" She picked up a stone and flung it down the hill.
Public-domain text, read in full here on John Shaqi.
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