Who Goes There!Chambers, Robert W. (Robert William)
General
Who Goes There!
Chambers, Robert W. (Robert William)
World War, 1914-1918 -- Fiction
The car moved forward, swung to the right. About a quarter of a mile
away stood a small, modern stucco dwelling behind its hedge of privet.
Beyond that there were woods again and dewy uplands glimmering with
furze and brake.
When they arrived they found the driveway closed by a gate.
"Never mind; I'll walk to the house," said Guild.
The smiling chauffeur leaned back and opened the tonneau door; Guild
descended, looked at the iron gate between its ugly stucco posts, peered
through it up the drive with its parallel rows of recently planted lime
trees. Everything about the place was recent if not brand new--ugly with
the ugliness of well-to-do bad taste. Red geraniums and yellow cannas
had been planted in fearsome juxtaposition, salvia flanked a red brick
terrace--a most unholy combination of colour. In the early morning the
sun exposed the place without mercy. It was lonesome and amazingly
depressing.
Glancing up at the gate again he discovered a nickel-plated label
riveted to one of the stucco posts. On it was the name of the place,
"Hyacinth Villa," and its number 169.
There was no lodge, no bell, but the wicket gate was not locked. So
Guild entered.
"Shall I drive up to the house, sir?" inquired the chauffeur.
"No; wait out here."
There seemed to be no sign of life about the house when at last he
arrived in front of it--nobody apparently stirring at that hour. He
hesitated; he still wore the same knickerbockers and cap which he had
worn in Belgium. His sack, which was now in the car, contained only
fresh linen; and he began to wonder what his reception might be in such
a costume and at such an hour. He doubted that the unconventionality of
the daughter of a Prussian aristocrat might extend far enough to accept
him, his rather shabby clothes, and his explanation of the visit.
It was all very well for this young girl to kick over the tradition, cut
home traces in the sacred cause of art, call herself Girard, and live in
an impossible villa for art's sake. Few well-born Fräuleins ever did
this sort of thing, but there had been instances. And anybody in Germany
will always add that they invariably went to the devil.
Guild rang. After he had waited long enough he rang again. After that he
resumed his ringing. Keeping his finger pressed on the electric button
and laying his ear to the door. The bell was doing its duty inside the
house; he could hear it.
Presently he heard a fumbling of chains and locks inside, the door
opened on a crack and a sleepy voice inquired: "Is it you, Anna?"
Guild hesitated: "I wish to see Miss Girard. Is she at home?"
"Who are you?" demanded the voice no longer sleepy.
"My name is Guild. I am sorry to disturb Miss Girard at such an hour,
but I cannot help it. Is Miss Girard in?"
"Yes; I am Miss Girard."
"Are you Miss Karen Girard?"
"Yes. Why do you wish to see me?"
"I can't tell you here. Are you dressed?"
There was a pause, then she said: "No."
"Please dress as quickly as you can. Dress for travel."
Public-domain text, read in full here on John Shaqi.
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