Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
But I have noticed that the Nice Boy and the girl who heard him play do
not feel so sure that his death was best. For myself, I shall always
feel that the world has lost its musical master. I have heard the
music-makers of two generations, and not one of them has excelled his
exquisite lightness and force of touch, and that wonderful singing
stress--oh! I could cry to think of it! And when we go abroad next I
shall find out the name of the man who played in Leipsic and Paris
and Vienna--for he must have played there once; he said he had played
to thousands--and see if any one there has heard of his secret, his
wonderful singing through the keys.
For, though my brother-in-law says that the musical temperament in
combination with a Bohemian tendency gives an emotional basis which is
absolutely unsafe and therefore untrustworthy in its reports of actual
facts, I know that the most glorious music of my life gained nothing
from my imagination. For there were three of us who saw the spring come
over the hills that night. Three of us heard the triumph-song of love
incarnate, and thrilled to it. Three of us knew for once a peace that
passed our understanding, and had the comfort of little children in
their mother's arms.
And though it is not true, as my brother-in-law insinuates, that a man
need only be able to play my soul away in order to be ranked by me
among the angels, I shall continue to insist that somewhere, somehow,
the beautiful sounds he made are accounted to him for just a little
righteousness!
A WIND FLOWER
I
Willard's landlady smiled sympathetically across the narrow
breakfast-table. "I guess you've got to stay in this mornin', Mr.
Willard," she said. "It's a good deal too raw and cold for you to be
out around, paintin', to-day."
Willard nodded. "Quite right, Mrs. Storrs," he returned, and he smiled
at his landlady's daughter, who sat opposite. But she did not smile at
him. She continued her silent meal, looking for the most part at her
plate, and replying to direct questions only by monosyllables.
She must be nineteen or twenty, he decided, but her slender, curveless
figure might have been that of a girl several years younger. Her face
was absolutely without character to the casual glance--pale, slightly
freckled, lighted by grey-green, half-closed eyes, and framed in light
brown hair. Her lips were thin, and her rare smile did not disclose
her teeth. Even her direct look, when he compelled it, was quite
uninterested.
Her mother chattered with volubility of a woman left much alone,
and glad of an appreciative listener, but the girl had not, of her
own accord, spoken a word during his week's stay. He wondered as he
thought of it why he had not noticed it before, and decided that her
silence was not obtrusive, but only the outcome of her colourless
personality--like the silence of the prim New England house itself.
Public-domain text, read in full here on John Shaqi.
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