My curiosity grew. And then, I had a great consciousness of not liking to disappoint even a drunken man. He evidently thought I was coming. I sketched lightly to the Nice Boy the affair of the morning. He was not shocked. He was amused. But my brother-in-law says that nothing I could say could shock the Nice Boy. In fact, he says, that if I mean nothing serious, I have no business to let the Nice Boy think--but that is a digression. It is one of my brother-in-law's prerogatives to be as impertinent as he cares to be. "Shall we go over?" said I. "He is very probably an accompanist, stranded here, with his engagement ended. Perhaps he even plays well. These things happen in books." The Nice Boy shook his head. "We'll go, by all means," he said, "but don't hope. He's not touched a piano this long time." So we gathered some shawls and cushions and went over. The building was all dusty and smelled of pine. As we stumbled in, the sound of a piano met us. I own I was a bit excited. For one doubtful second I listened, ready to adore. Then I laughed nervously. We were not people in a book. It was Mendelssohn's "Spring Song," played rather slowly and with a mournful correctness. I could feel the player's fingers thudding down on the keys--one played it so when it was necessary to use the notes. The Nice Boy smiled consolingly. "Too bad," he whispered. "Shall we go out now?" "I should like to view the fragments of the idol!" I whispered back. "Let's end the illusion by seeing him!" So we tip-toed up to the benches, and looked at the platform where the Steinway stood. Twirling on the stool sat a girl of seventeen or so, peering out into the gloom at us. It was very startling. Now I felt that the strain was yet to come. As I sank into one of the chairs a man rose slowly from a seat under the platform. It was the stranger. He nodded jauntily at us. "Good thing you come," he announced cheerfully. "I don't know how long I could stand that girl. I guess she's related to the other," and he shambled up the steps. His unsteady walk, his shaking hand, as he clumsily pushed the chairs out of the way, told their disagreeable story. He walked straight up to the girl, and looking beyond her, said easily, "Excuse me, miss, but I'm goin' to play a little for some friends o' mine, an' I'll have to ask you to quit for a while." The girl looked undecidedly from him to us, but we had nothing to say. "Come, come," he added impatiently, "you can bang all you want in a few minutes, with nobody to disturb you. Jus' now I'm goin' to do my own turn." His assurance was so perfect, his intention to command obedience so evident, that the child got up and went slowly down the stairs, more curious than angry. The man swept the music from the rack, and lifted the top of the piano to its full height. Then with an impatient twitch he spun the music-stool a few inches lower, and pulled it out. The Nice Boy leaned over to me.