Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Schubert sang sweetly, wonderfully. I cry like a baby when one sings
the Serenade even fairly well. And dear Franz Abt has made most loving
melodies. But they were musicians singing, this was a man. "_Du meine
Liebe, du!_"--that was no piano; it was a voice. And yet no human
voice could be at once so limpid and so rich, so thrilling and so
clear. And now it crashed out in chords--heavy, broken harmony. All the
rapture of possession, the very absolute of human joy were there--but
these are words, and that was love and music.
I don't in the least know how long it lasted. There was no time for me.
The god at the piano repeated it again and again, I think, as it is
never repeated in the singing, and always should be. I know that the
tears rolled over my cheeks and dropped into my lap. I have a vague
remembrance of the Nice Boy's enthusiastically and brokenly begging
me to marry him to-night and go to Venice with him to-morrow, and my
ecstatically consenting to that or anything else. I am sure he held
my hand during that period, for the rings cut in so the next day.
And I think--indeed I am quite certain--but why consider one's self
responsible for such things? At any rate, it has never happened since.
And when it was over we went up hand in hand, and the Nice Boy said,
"What--what is your--your name?" And I stared at him, expecting to
see his dirty clothes drop off, and his trailing clouds of glory wrap
him 'round before he vanished from our eyes. His heavy eyebrows bent
together. His knees shook the piano-stool. He was labouring under an
intense excitement. But I think he was pleased at our faces.
"What--what the devil does it matter to you what I'm named?" he said
roughly.
"Oh, it doesn't matter at all, not at all," I said meekly; "only we
wanted, we wanted----" And then, like that chit of seventeen, I cried,
too. I am such a fool about music.
"Now you know what I mean when I say I can play," he growled savagely.
He seemed really terribly excited, even angry. "I'll play one thing
more. Then you go home. When I think o' what I might have done, great
God, I can't die till I've shown 'em! Can I? Can I die? You hear me!
You see"--his face was livid. His eyes gleamed like coals. I ought to
have been afraid, but I wasn't.
"You shall show them!" I gasped. "You shall! Will you play for the
hotel? We can fill this place for you. We can----"
"Oh, you shut up!" he snarled. "You! I've played to thousands, I have.
You don't know anything about it. It's this devil's drink that's
killin' me. It ruined me in Vienna. It spoiled the whole thing in
Paris. It's goin' to kill me." His voice rose to a shriek. He dropped
from the stool, and from his pocket fell a bottle. The Nice Boy gave a
queer little sob.
"Oh, it's dreadful, dreadful!" he whispered to himself. He jumped up on
the platform and seized the man's shoulder.
Public-domain text, read in full here on John Shaqi.
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