Why Authors Go Wrong, and Other Explanations — John Shaqi
Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
WHY AUTHORS GO WRONG
AND
OTHER EXPLANATIONS
WHY AUTHORS
GO WRONG
AND OTHER EXPLANATIONS
BY
GRANT M. OVERTON
AUTHOR OF “THE WOMEN WHO MAKE OUR NOVELS”
[Illustration]
NEW YORK
MOFFAT, YARD & COMPANY
1919
COPYRIGHT, 1919,
BY
MOFFAT, YARD & COMPANY
CONTENTS
CHAPTER PAGE
I. WHY AUTHORS GO WRONG 1
II. A BARBARIC YAWP 25
III. IN THE CRITICAL COURT 39
IV. BOOK “REVIEWING” 51
V. LITERARY EDITORS, BY ONE OF THEM 103
VI. WHAT EVERY PUBLISHER KNOWS 119
VII. THE SECRET OF THE BEST SELLER 145
VIII. WRITING A NOVEL 173
WHY AUTHORS GO WRONG
AND
OTHER EXPLANATIONS
WHY AUTHORS GO
WRONG
AND OTHER EXPLANATIONS
I
WHY AUTHORS GO WRONG
The subject of _Why Authors Go Wrong_ is one to answering which a
book might adequately be devoted and perhaps we shall write a book
about it one of these days, but not now. When, as and if written the
book dealing with the question will necessarily show the misleading
nature of Mr. Arnold Bennett’s title, _The Truth About an Author_--a
readable little volume which does not tell the truth about an author
in general, but only what we are politely requested to accept as the
truth about Arnold Bennett. Mr. Bennett may or may not be telling the
truth about himself in that book; his regard for the truth in respect
of the characters of his fiction has been variable. Perhaps he is more
scrupulous when it comes to himself, but we are at liberty to doubt it.
For a man who will occasionally paint other persons--even fictionary
persons--as worse than they really are may not unnaturally be expected
to depict himself as somewhat better than he is.
We must not stay with Mr. Bennett any longer just now. It is enough
that he has not been content to wait for the curtain to rise and has
insisted on thrusting himself into our prologue. Exit; and let us get
back where we were.
We were indicating that _Why Authors Go Wrong_ is an extensive subject.
It is so extensive because there are many authors and many, many more
readers. It is extensive because it is a moral and not a literary
question, a human and not an artistic problem. It is extensive because
it is really unanswerable and anything that is essentially unanswerable
necessitates prolonged efforts to answer it, this on the well-known
theory that it is better that many be bored than that a few remain
dissatisfied.
2
Let us take up these considerations one by one.
It seems unlikely that any one will misunderstand the precise subject
itself. What, exactly, is meant by an author “going wrong”? The
familiar euphemism, as perhaps most frequently used, is anything but
ambiguous. Ambiguous-sounding words are generally fraught with a deadly
and specific meaning--another illustration of the eternal paradox of
sound and sense.
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