Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
If we had not seen it we should refuse to credit our senses. The idea
of any one holding court to-day to decide the question as to the
existence of an independent American literature is incredibly funny.
It is the peculiarity of criticism that any one can set up a court
anywhere at any time for any purpose and with unlimited jurisdiction.
There are no rules of procedure. There are no rules of evidence. There
is no jury; the people who read books may sit packed in the court
room, but there must be no interruptions. Order in the court! Usually
the critic-judge sits alone, but sometimes there are special sessions
with a full bench. Writs are issued, subpœnas served, witnesses are
called and testimony is taken. An injunction may be applied for, either
temporary or permanent. Nothing is easier than to be held in contempt.
5
The most striking peculiarity of procedure in the Critical Court is
with regard to what constitutes evidence. You might, in the innocence
of your heart, suppose that a man’s writings would constitute the only
admissible evidence. Not at all. His writings have really nothing to
do with the case. What is his Purpose? If, as a sincere individual,
he has anywhere exposed or stated his object in writing books counsel
objects to the admission of this Purpose as evidence on the ground that
it is incompetent, irrelevant and immaterial; and not sound Art. On the
other hand if, as an artist, he has embodied his Purpose in his fiction
so that every intelligent reader may discover it for himself and feel
the glow of a personal discovery, counsel will object to the admission
of his books as evidence on the ground that they are incompetent,
irrelevant and immaterial; and not the best proof. Counsel will demand
that the man himself be examined personally as to his purpose (if he
is alive) or will demand a searching examination of his private life
(if he be dead). The witness is always a culprit and browbeating the
witness is always in order. I am a highbrow and you are a lowbrow; what
the devil do you mean by writing a book anyway?
Public-domain text, read in full here on John Shaqi.
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