Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
There exists in the world as at present constituted a person called
the reporter. He is, mostly, an adjunct of the daily newspaper; in
small places, of the weekly newspaper. It is, however, in the cities
of America that he is brought to his perfection and in this connection
it is worth while pointing out what Irvin Cobb has already noted--the
difference between the New York reporter and the reporter of almost
any other city in America. The New York reporter “works with” his
rival on another sheet; the reporter outside New York almost never
does this. Cobb attributed the difference to the impossible tasks that
confront reporters in New York, impossible, that is, for single-handed
accomplishment. A man who should attempt to cover alone some New York
assignments, to “beat” his fellow, would be lost. Of course where a
New York paper details half a dozen men to a job real competition
between rival outfits is feasible and sometimes occurs. But the point
here is this: The New York reporter, by generally “working with” his
fellow from another daily, has made of his work a profession, with
professional ideals and standards, a code, unwritten but delicate and
decidedly high rules of what is honorable and what is not. Elsewhere
reporting remains a business, decently conducted to be sure, open in
many instances to manifestations of chivalry; but essentially keen,
sharp-edged, cutthroat competition.
Now it is of the reporter in his best and highest estate that we would
speak here--the reporter who is not only a keen and honest observer but
a happy recorder of what he sees and hears and a professional person
with ethical ideals in no respect inferior to those of any recognized
professional man on earth.
There are many things which such a reporter will not do under any
pressure of circumstance or at the beck of any promise of reward. He
will not distort the facts, he will not suppress them, he will not put
in people’s mouths words that they did not say and he will not let
the reader take their words at face value if, in the reporter’s own
knowledge, the utterance should be perceptibly discounted. No reporter
can see and hear everything and no reporter’s story can record even
everything that the observer contrived to see and hear. It must record
such things as will arouse in the reader’s mind a correct image and a
just impression.
Public-domain text, read in full here on John Shaqi.
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