Why Authors Go Wrong, and Other Explanations — John Shaqi
Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
Take another illustration--Mr. Winston Churchill. One of the ablest
living American novelists, he has gone so wrong that it cannot
honestly be supposed he will ever go right again. His earlier novels
were not only delightful but actually important. His later novels are
intolerable. In such a novel as _The Inside of the Cup_ Mr. Churchill
is not writing with the honorable and matter-of-course object of
selling a large number of copies and getting an income from them; he is
writing with the dishonorable and unavowed object of setting certain
ideas before you, the contemplation of which will, in his opinion, do
you good. He wants you to think about the horror of a clergyman in
leading strings to his wealthiest parishioner. As a fact, there is no
horror in such a situation and Mr. Churchill cannot conjure up any.
There is no horror, there are only two fools. Now if a man is a fool,
he’s a fool; he cannot become anything else, least of all a sensible
man. A clergyman in thrall to a rich individual of his congregation
is a fool; and to picture him as painfully emancipating himself and
becoming not only sensible but, as it were, heroic is to ask us to
accept a contradiction in terms. For a fool is not a man who lacks
sense, but a man who cannot acquire sense. Not even a miracle can make
him sensible; if it could there would be no trouble with _The Inside
of the Cup_, for a miracle, being, as G. K. Chesterton says, merely an
exceptional occurrence, will always be acquiesced in by the intelligent
reader.
4
It would be possible to continue at great length giving examples of
authors who have gone wrong and specifying the fifty-seven varieties
of ways they have erred. But the mere enumeration of fallen authors
is terribly depressing and quite useless. If we are to accomplish any
good end we must try to find out why they have allowed themselves to be
deceived or betrayed and what can be done in the shape of rescue work
or preventive effort in the future. Perhaps we can reclaim some of them
and guide others aright.
After a consideration of cases--we shall not clog the discussion with
statistics and shall confine ourselves to general results--we have been
led by all the evidence to the conclusion that the principal trouble
is with the authors. Little or none of the blame for the unfortunate
situation rests on their readers. Indeed, in the majority of cases the
readers are the great and unyielding force making for sanity and virtue
in the author. Without the persistent moral pressure exerted by their
readers many, many more authors would certainly stray from the path of
business rectitude--not literary rectitude, for there is no such thing.
What is humanly right is right in letters and nothing is right in
letters that is wrong in the world.
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