Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
The first requisite in a good book section is that it shall be
interesting. As regards the news of new books, this is not difficult
where book reporters, with the reporter’s attitude, are on the job.
Reporter’s stories are sometimes badly written, but they are seldom
dull. New books described by persons who have it firmly lodged in
their noodles that they are “reviewing” the books, fare badly. The
reviewer-obsession manifests itself in different ways. Sometimes the
new book is made to march past the reviewer in column of squads,
deploying at page 247 into skirmish formation and coming at page 431
into company front. Very fine, but the reader wants to see them in the
trenches, or, headed by the author uttering inspiriting yells, going
over the top. On other occasions the reviewer assumes the so-called
judicial attitude, the true inwardness of which William Schwenk Gilbert
was perhaps the first to appreciate, with the possible exception of
Lewis Carroll. Then doth our reviewer tell us what will be famous a
century hence. Much we care what will be famous a century hence. What
bothers us is what we shall read to-morrow. Of course it may happen to
be one and the same book. Very well then, why not say so?
The main interest of the book section is served by getting crackajack
book reporters. They will suffice for the people who read the section
because they are interested in books. If the literary editor stops
there, however, he might as well never have started. These people would
read the book section anyway, unless it were filled throughout with
absolutely unreadable matter, as has been known to happen. Even then
they would doubtless scan the advertisements. At least, that is the
theory on which publishers hopefully proceed. There are book sections
where the contributors always specify that their articles shall have a
position next to advertising matter.
No, the literary editor must interest people who do not especially
care about books as such. He can do it only by convincing them that
books are just as full of life and just as much a part of a normal
scheme of life as movies, or magazine cut-outs, or buying things on the
instalment plan. Many a plain person has been led to read books by the
fact that books are sometimes sold for instalment payments. Anything
so sold, the ordinary person at once realizes, must be something which
will fit into his scheme of existence. Acting on an instinct so old
that its origin is shrouded in the mists of antiquity, the ordinary
person pays the instalments. As a result, books are delivered at his
residence. At first he is frightened. But he who looks and runs away
may live to read another day. And from living to read it is but a step
to reading to live.
Public-domain text, read in full here on John Shaqi.
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