Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
They, in all probability, will figure out that the story has already
completely formed itself, in all its essentials and in many details,
in your subconscious mind, the lowermost cellar of your uninteresting
personality where moth and rust do not corrupt, whatever harm they
may do higher up, and where the cobwebs lie even more thickly than in
your alleged brain. As you write, and as the result of the mere act
of writing, the story, lying dormant in your subcellar, slowly shakes
a leg, quivers, stretches, extends itself to its full length, yawns,
rises with sundry anatomical contortions and advancing crosses the
threshold of your subconsciousness into the well-dusted and cleaned
basement of your consciousness whence it is but a step to full daylight
and the shadow of printed black characters upon a to-and-fro travelling
page.
In other words, you are an automaton; and to be an automaton in this
world of exuberant originality is a blissful thing.
Your brain is not engaged at all. This is why writing fiction actually
rests the brain. It is why those who are suffering from brain-fag
find recreation and enjoyment, health and mental strength in writing
a short story or a novel. The short story is a two weeks’ vacation
for the tired mind. Writing a novel is a month, with full pay. It is
true that readers are rather prone to resent the widespread habit of
novelists recuperating and recovering their mental faculties at their
readers’ expense. This resentment is without any justification in fact,
since for every novelist who recovers from brain-fag by writing a work
of fiction there are thousands of readers who restore their exhausted
intellects with a complete rest by reading the aforesaid work of
fiction.
Of course the subconscious cellar theory of novel-writing is not final
and authoritative. There is at least one other tenable explanation of
how novels are written, and we proceed to give it.
This is that the story is projected through the personality of the
writer who is, in all respects, no more than a mechanism and whose rôle
may be accurately compared to that of a telephone transmitter in a talk
over the wire.
Public-domain text, read in full here on John Shaqi.
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