Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
This theory has the important virtue of explaining convincingly all the
worst novels, as well as all the best. For a telephone transmitter is
not responsible for what is spoken into it or for what it transmits.
It is not to blame for some very silly conversations. It has no merit
because it forwards some very wise words. Similarly, if the novelist is
merely a transmitter, a peculiarly delicate and sensitive medium for
conveying what is said and done somewhere else, perhaps on some other
plane by some other variety of mortals, the novelist is in no wise to
blame for the performances or utterances of his characters, or clients
as they ought, in this view, to be called; the same novelist might, and
probably would, be the means of transmitting the news of splendid deeds
and the superb utterances of glorious people, composing one story, and
the inanities, verbal or otherwise, of a lot of fourth dimensional
Greenwich Villagers, constituting another and infinitely inferior
story.... To be sure this explanation, which relieves the novelist
of almost all responsibility for his novels, ought also to take from
him all the credit for good work. If he is a painfully conscientious
mortal he may grieve for years over this; but if his first or his
second or his third book sells 100,000 copies he will probably be
willing, in the words of the poet, to take the cash and let the credit
go. Very greedy men invariably insist on not merely taking the cash
but claiming the credit as well; saintly men clutch at the credit and
instruct their publishers that all author’s royalties are to be made
over to the Fund for Heating the Igloos of Aged and Helpless Eskimos.
But the funny thing about the whole business is that the world, which
habitually withholds credit where credit is due, at other times insists
on bestowing credit anyway. There have been whole human philosophies
based upon the principle of Renunciation and even whole novels, such
as those of Henry James. But it doesn’t work. Renounce, if you like,
all credit for the books which bear your name on the title-page. The
world will weave its laurel wreath and crown you with bays just the
same. Men have become baldheaded in a single night in the effort to
avoid unmerited honor and by noon the next day have looked as if they
were bacchantes or at least hardy perennials, so thick have been the
vine leaves in their hair, or rather on the site of it.... Which takes
us away from our subject. Where were we? Oh, yes, about writing your
novel....
Public-domain text, read in full here on John Shaqi.
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