Rudyard Kipling speaks of four street corners of four great cities
where a man may stand and see pass everybody of note in the world.
There are likewise vantage-points in our American colleges from
which one may discover not only the influential undergraduate
types, but also the real life of their environment. One of these
places is the college campus.
Undergraduate life falls into two broad divisions: college work,
pertaining to the study and the classroom; and college relaxation,
centering upon the campus. The latter includes social life,
amusements, athletics, and the other voluntary exercises in which
students meet for fellowship and competition. The close tie between
college work and college play is often shown. A change in student
sentiment has instant effect on student work, while no rules of
the faculty can nullify those deeply rooted principles of student
life which make all college men akin.
A WEST POINT INCIDENT
This relation of student feeling to college authority was shown not
long ago at West Point. The cadet corps was under arrest for having
given the “silence” to an officer in the mess-hall during supper,
for reasons deemed by the cadets to be vital to corps honor and
dignity. The first silence occurred at supper. The whole corps of
cadets, 450 men, were marched back to barracks supperless, and were
placed under arrest in their rooms. Again at breakfast the cadets
repeated the silence, for which they were returned to barracks, but
not until they had been made to “double time” up and down the road
for about twenty minutes. That morning the cadets had virtually
no breakfast. At the next formation for midday dinner an incident
occurred which struck a chord even deeper than discipline and
authority, and broke the insubordination of the students. In the
autumn one of the cadets had brought from home a graphophone,
and among the comic-song cylinders was one which pictured a
non-domestic husband about to slip quietly away from home for an
evening at the club, when his wife confronted him with the command,
Put on your slippers; you’re in for the night.
This song was very popular with the cadets. They were drawn up
in front of the barracks, every man indignant, obstinate, and
determined to repeat the silence, and to continue it even at the
risk of starvation and confinement. At this critical moment the
graphophone, which had been set to begin its work five minutes
after its humorous owner had left his room, began to sing in a
high-pitched voice through the open window directly above the lines
of cadets,
Put on your slippers; you’re in for the night.
[Illustration: Student Waiters in the Dining-Hall of an American
College]
Public-domain text, read in full here on John Shaqi.
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