civilization, which is equal whichever is killed. This is the politics of Bedlam. If the artist and the musician had been allowed to stand aside from the war, nothing but unmitigated good to mankind would have resulted. The power of the State, which makes this impossible, is a wholly evil thing, quite as evil as the power of the Church which in former days put men to death for unorthodox thought. Yet if, even in time of peace, an international league were founded to consist of Frenchmen and Germans in equal numbers, all pledged not to take part in war, the French State and the German State would persecute it with equal ferocity. Blind obedience, unlimited willingness to kill and die are exacted of the modern citizens of a democracy as much as of the Janizaries of medieval sultans or the secret agents of Oriental despots.[5] The power of the State may be brought to bear, as it often is in England, through public opinion rather than through the laws. By oratory and the influence of the Press, public opinion is largely created by the State, and a tyrannous public opinion is as great an enemy to liberty as tyrannous laws. If the young man who will not fight finds that he is dismissed from his employment, insulted in the streets, cold-shouldered by his friends, and thrown over with scorn by any woman who may formerly have liked him, he will feel the penalty quite as hard to bear as a death sentence.[6] A free community requires not only legal freedom, but a tolerant public opinion, an absence of that instinctive inquisition into our neighbors’ affairs which, under the guise of upholding a high moral standard, enables good people to indulge unconsciously a disposition to cruelty and persecution. Thinking ill of others is not in itself a good reason for thinking well of ourselves. But so long as this is not recognized, and so long as the State can manufacture public opinion, except in the rare cases where it is revolutionary, public opinion must be reckoned as a definite part of the power of the State.