Music -- Philosophy and aesthetics; Music -- Psychological aspects
(9) What educational motives are most effective as a means of
enhancement of the love of music?
(10) What is the nature of musical ecstasy?
Discuss These True Situations
(1) The typical "house" for the season's performance of the symphony
orchestra is arrayed in festive attire and poses in attentive and
festive mood. Make an estimate of the relative proportion of the
audience there (a) to see and be seen, (b) to perform a social
obligation, (c) to satisfy curiosity, (d) to learn something about
music, (e) to thoroughly enjoy the orchestral music.
(2) A primitive savage lives close to nature and observes sounds
produced by man and beast, by wind and sea. May he feel musical
affection for these sounds apart from their utility and apart from
knowledge of man-made music?
(3) In an aristocratic family there are four children, all manifestly
lacking in musical talent, but intelligent and co-operative in
education. They are all given excellent advantages of musical
education and environment and pursue them as a matter of course.
Are they likely to come into a warm love of music?
(4) It has been observed that when one listens to very beautiful music
he tends to swallow saliva by gulps, as the young lover does in a
state of infatuation; and that when he hears vile music, there is
a tendency to want to spit. In other words, there are two ways of
disposing of saliva under emotion: Attraction, indicated by
swallowing; and repulsion, indicated by feeling the need of
spitting. Can you verify that?
Chapter II
MUSIC BEFORE THE AGE OF SIX
The psychology of music and the psychology of the child are giving us
new vital conceptions of the nature and role of music in child life. To
understand this fully is to understand adequately the nature of the
child mind and the nature of music.
_From smile to music._ All mental development begins with some inherited
form of behavior and gradually differentiates into richer and richer
meanings and forms of expression. The taproot of all music is the smile.
This in its first appearance is a pure reflex, expressing the well-being
of the organism.
Observe some typical steps in its history in high lights. When the
infant has had its fill from its mother's breast, its head falls back
and the mouth puckers as a result of withdrawal from the nipple. The
mother looks at this and says to herself, "He is satisfied." The child
has thus acquired one means of communication--the expression of
well-being. This rapidly radiates into many situations. When the infant
is patted on the back, is bathed, is rocked in the arms, or feels the
waft of comfortable air, the same puckering of the mouth seems to convey
to the mother a sign of well-being, and the meaning of this puckering is
thus enriched.
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