Music -- Philosophy and aesthetics; Music -- Psychological aspects
(1) I listened to the droning voice of a mother reading to her small
son. Would it be better for the mother to tell the story with
animation?
(2) Mrs. Brown is what is termed "high-strung." She has much to do
with household duties. Her three toddlers ask many questions, over
and over again. She finds herself speaking louder and louder with
each repetition. What would you suggest? (In a similar situation a
five-year-old said, "Mother, why don't you relax a little?" C. E.
S.)
(3) In the Black household the radio is on continuously. Is this
helping the musical education of the older and younger children?
(4) "I simply can't get Johnny to practice his music lessons unless I
sit down with him and make him do it," says Mrs. Young, who voices
the complaint of many ambitious parents. What would Doctor
Seashore say?
(5) A mother, musically talented, said to me, "I simply can't help my
children at all with their music. I get frantically impatient with
them."
(6) In a crowded railroad station I was admiring a lovely looking
woman who held an equally lovely looking child by the hand. Then
she spoke to the woman sitting next to me and it was with great
effort I kept a look of consternation from appearing on my face.
Her voice was harsh, metallic, unmodulated. Is it possible for her
to help herself?
-----
Footnote C:
This outline was prepared by May E. Peabody, Supervisor, when it
appeared in _Parents' Magazine_. It seemed to me so stimulating for
thought about the reading that I have adopted this general plan for
all the chapters in this volume. C. E. S.
Chapter III
MUSIC BETWEEN THE AGES OF SIX AND TEN
The question "_When_ should music education begin?" is now coming to be
"_How_ should music education begin?"; because we now recognize that
music should play a large role in the first five years of child life.
Public-domain text, read in full here on John Shaqi.
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