Music -- Philosophy and aesthetics; Music -- Psychological aspects
Furthermore, musicality is not one specific human trait but an infinite
hierarchy of traits running through the entire gamut of the
psychophysical musical organism. To make any progress whatever, the
scientist must make the supreme sacrifice of attempting to deal only
with specific isolable factors apparently small and remote in
themselves. The situation is analogous to that of purely physical
features. It is generally admitted that the structure of the physical
organism is heritable. But when we show that the color of the eyes of
the fruit fly is heritable and that this inheritance takes place in a
very complicated way, as has been adequately shown, we have simply
identified parts of the structure and function of the genes in one
specific feature in the vastly complex physical organism, however
fundamental and characteristic this particular feature may be. This
analogy applies in principle to the genetic study of the musical life.
The crux of the difficulty lies in the identification of heritable
factors.
Again we must remember that the musical mind is first of all a normal
mind, a normal psychophysical organism ready to begin to function
immediately after birth. What we shall look for then in a psychophysical
organism is the presence of certain resources especially favorable or
especially unfavorable to the normal functioning of the musical mind. We
may assume that an average capacity present in the genetic constitution
may be adequate for musical purposes but that exceptionally gifted
persons require these traits in a correspondingly exceptional degree and
that exceptionally unmusical individuals lack essential elements. The
most wonderful thing is that a person can come into the world with a
musical constitution at all, but the problem of heredity centers around
individual differences, and these are more easily approachable than the
total function. As in genetic studies of the inheritance of color
blindness it has been possible to identify types, so in musical hearing
we may look forward to the identification of types of defect and types
of superiority deviating markedly from the normal.
Public-domain text, read in full here on John Shaqi.
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