On that evening Philippa changed her customery style of dress--it was no
longer the favorite amber, so rich in hue and in texture, but white,
gleaming silk, relieved by dashes of crimson. A more artistic or
beautiful dress could not have been designed. She wore crimson roses in
her dark hair, and a cluster of crimson roses on her white breast. Her
bouquet was of the same odorous flowers. In the theater Lord Arleigh
noticed that Philippa attracted more attention than any one else, even
though the house was crowded; he saw opera-glasses turned constantly
toward her beautiful face.
Miss L'Estrange kept her word, saying but little to those who would fain
have engrossed her whole attention--that was given, to Lord Arleigh. She
watched his face keenly throughout the performance. He did not evince
any great interest in it.
"You do not care for 'La Grande Duchesse?'" she said.
"No--frankly, I do not," he replied.
"Tell me why," said Philippa.
"Can you ask me to do so, Philippa?" he returned, surprised; and then he
added, "I will tell you. First of all, despite the taking music, it is a
performance to which I should not care to bring my wife and sister."
"Tell me why?" she said, again.
"It lowers my idea of womanhood. I could not forgive the woman, let her
be duchess or peasant, who could show any man such great love, who could
lay herself out so deliberately to win a man."
She looked at him gravely. He continued:
"Beauty is very charming, I grant--as are grace and talent; but the
chief charm to me of a woman is her modesty. Do you not agree with me,
Philippa?"
"Yes," she replied, "most certainly I do; but, Norman, you are hard upon
us. Suppose that, woman loves a man ever so truly--she must not make any
sign?"
"Any sign she might make would most certainly, in my opinion, lessen her
greatest charm," he said.
"But," she persisted, "do you not think that is rather hard? Why must a
woman never evince a preference for the man she loves?"
"Woman should be wooed--never be wooer," said Lord Arleigh.
"Again I say you are hard, Norman. According to you, a woman is to break
her heart in silence and sorrow for a man, rather than give him the
least idea that she cares for him."
"I should say there is a happy medium between the Duchess of Gérolstein
and a broken heart. Neither men nor women can help their peculiar
disposition, but in my opinion a man never more esteems a woman than
when he sees she wants to win his love."
He spoke with such perfect freedom from all consciousness that she knew
the words could not be intended for her; nevertheless she had learned a
lesson from them.
"I am like yourself, Norman," she said; "I do not care for the play at
all; we will go home," and they left the house before the Grand Duchess
had played her part.
Chapter IX.
Public-domain text, read in full here on John Shaqi.
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