Natural history -- England -- Wiltshire; Wiltshire (England) -- Description and travel
In the meadows of the vale the waters of the same stream irrigate
numerous scattered withy-beds, pollard willow trees, and tall willow
poles growing thickly in the hedges by the brook. The most suitable of
these poles are purchased from the farmers by the willow handicraftsmen
of the village up here, to be split into thin flexible strips and
plaited or woven into various articles. These strips are made into
ladies' workbaskets and endless knick-knacks. The flexibility of the
willow is surprising when reduced to these narrow pieces, scarcely
thicker than stout paper. This industry used to keep many hands
employed. There were willow-looms in the village, and to show their
dexterity the weavers sometimes made a shirt of willow--of course only
as a curiosity. The development of straw weaving greatly interfered
with this business; and now it is followed by a few only, who are
chiefly engaged in preparing the raw material to go elsewhere.
From the ash woods on the slopes, and the copses, of the fields, large
ash-poles are brought, which one or two old men in the place spend their
time splitting up for `flakes'--a `flake' being a frame of light wood,
used after the manner of a hurdle to stop a gap, or pitched in a row to
part a field into two. Hurdle-making is another industry; but of late
years hurdles have been made on a large scale by master carpenters in
the market towns, who employ several men, and undersell the village
maker.
The wheelwright is perhaps the busiest man in the place; he not only
makes and mends waggon and cart wheels, and the body of those vehicles,
but does almost every other kind of carpentering. Sometimes he combines
the trade of a builder with it--if he has a little capital--and puts up
cottages, barns, sheds, etc, and his yard is strewn with timber. There
is generally a mason, who goes about from farm to farm mending walls and
pigsties, and all such odd jobs, working for his own hand.
Public-domain text, read in full here on John Shaqi.
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